Francisco Vila wrote:
2009/5/16 Helge Kruse <[email protected]>:
Hello,
I want to write a fragment as shown in the attachment. I wrote it as
\clef treble
\time 2/4
\key f \major
<< { f8 a g a f a g a f a g a g b <g a>4 } \\
{ d4 e d e d e d c } >>
This gives the same notes but the stem does not connect the notes. The lower
voice in introduced only for a few measures and indicates that these notes
are to be played with a bit accent. So it's not really a voice by it's own.
How would you write it in Lilypond to get closer to the original?
Add the lower notes as chords to the upper voice, noteheads merge automatically.
<< { <f d>8 a <g e> a <f d> a <g e> a <f d> a <g e> a <g d> b <g a c>4 } \\
Thanks for reply. This approach has also the advantage that I can ignore
the intentional lower "voice" and add everything in the chords. So I can
give away a preliminary version without the lower stems for proof
reading of the pitches and add the lower voice when I add all the
dynamics, ottava brackets and playing instructions in the second phase.
Thanks,
Helge
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