Hello,
I published this score (not this file, since I merge my settings into it
now)) to WIMA as its first Chinese music. But the editor gave me some points on
collision:
> - avoiding slurs overwriting note shapes or performance directions, for
> example the right hand phrasing slur bar 18-21
However, 18-21 is the same as 3-6. Why it has collision?
> - barlines overwriting dynamic indications, for example bar 11 and 12
Why? How to avoid it automatically in the future?
Regards
Haipeng
\version "2.13.3"
#(ly:set-option 'point-and-click #f)
#(ly:set-option 'delete-intermediate-files #t)
\paper {
ragged-bottom = ##f
ragged-last-bottom = ##f
}
\header {
tagline = ##f
title = \markup { \override #'(basline-skip . 2) \center-column { \override #'(font-name . "仿å®_GB2312") \fontsize #4 \bold "é¾è¹è°" } { \fontsize #4 \bold "Dragon Boat Tune" } }
subtitle = \markup { \override #'(baseline-skip . 2) \center-column { \override #'(font-name . "仿å®_GB2312") \fontsize #2 \italic "æ¹åæ°ææ¹ç¼æ²" } { \fontsize #2 \italic "Transcription of A Hubei Folk Song" } }
composer = \markup { \override #'(baseline-skip . 2) \center-column { \bold \fontsize #3 \override #'(font-name . "仿å®_GB2312") "è¡æµ·é¹" \fontsize #3 \bold "Hu Haipeng" } }
copyright = "© 2007, All Rights Reserved"
}
allegretto = \markup { \bold \italic "Allegretto" }
andante = \markup { \bold \italic "Andante" }
rubato = \markup { \bold \italic "Rubato" }
rit = \markup { \bold \italic "Rit." }
ritenuto = \markup { \bold \italic "Ritenuto" }
atempo = \markup { \bold \italic "A tempo" }
str = \change Staff = rh
stl = \change Staff = lh
upper = \relative c'' {
\clef treble \time 4/4 \key bes \minor
\showStaffSwitch
\tempo \rubato
<<
{ f8(\arpeggio des16 des des8 f des\arpeggio ees4.)\upmordent\fermata } \\
{ s2 s8 \set fontSize = #-2 ees32. f64 ees32 f ees4 \unset fontSize } \\
{ \voiceFour <bes f>2\arpeggio <bes ges>\arpeggio\fermata }
>> | <<
{ f''8( des16 des des8 f16. aes32 des,8 ees4.)\upmordent\fermata^"Simile" } \\
{ <des bes>2\arpeggio <des bes>\arpeggio\fermata }
>> |
\tempo 4=80
\time 2/4 \oneVoice <f, bes, f>8\(^\markup { \column { \bold \italic "Andante" \bold \italic "Dolce" } } <des bes f>16 <des bes f> <des bes f>8 <f des bes> |
<des bes f> <ees bes ges>4->\upmordent des16 ees |
<<
{ f16 aes f ees des ees des bes } \\
{ <des aes>4 aes8 r8 }
>> |
\oneVoice <bes f des>2\) |
<bes f des>16.\( f'32 <bes, f>16 <bes f> <des f,>8 ees16 des |
<bes g ees>8 <des bes g>4\upmordent <bes g ees>8 |
<aes ees c>2\) |
\stl des,16\( \str <des' des,> \stl f,, \str <des'' des,> <bes f des>4\) |
\stl f,16\( \str <f' f,> \stl f, \str <des'' des,> <bes f des>4\) |
<<
{ des16\( ees f8 ees\upmordent des |
des16 bes ees des bes8\) aes16\( bes |
des^\rit bes ees des bes8\) r8\fermata } \\
{ s4 \set fontSize = #-2 ees32 f ees16 s8 \unset fontSize s2 s2 } \\
{ \voiceFour <bes f>4 <bes f>4 |
<bes ges>4 <ges ees>8 r8 |
<bes f> <a ees> <f des>8 s8 }
>> |
\tempo \rubato
\time 3/4 \oneVoice bes16.\(( f'32) bes,8 des32( ees) des( ees) bes8\) r f'\( |
\grace { f16( } aes8.->) f16 ees8 f ees16( des) bes8\) |
\grace { e,16\(( } f8->) ees16 des ees16 des bes8\) r4\shortfermata \bar "||"
\tempo \allegretto 4=96
\time 2/4 <f'' bes, f>8\( <des bes f>16 <des bes f> <des bes f>8-. <f des bes>-. |
<des bes f> <ees bes ges>4->\upmordent des16 ees |
<<
{ f16 aes f ees des ees des bes } \\
{ <des aes>4 aes8 r8 }
>> |
\oneVoice <bes f des>2\) |
<bes f des>16.\( f'32 <bes, f>16 <bes f> <des f,>8 ees16 des |
<bes g ees>8 <des bes g>4\upmordent <bes g ees>8 |
<aes ees c>2\) |
\stl des,16\( \str <des' des,> \stl f,, \str <des'' des,> <bes f des>4\) |
\stl f,16\( \str <f' f,> \stl f, \str <des'' des,> <bes f des>4\) |
<<
{ des16\( ees f8 ees\upmordent des |
des16 bes ees des bes8\) aes16\( bes |
des^\rit bes ees des bes8\) r8\fermata } \\
{ s4 \set fontSize = #-2 ees32 f ees16 s8 \unset fontSize s2 s2 } \\
{ \voiceFour <bes f>4 <bes f>4 |
<bes ges>4 <ges ees>8 r8 |
<bes f> <a ees> <f des>8 s8 }
>> |
\tempo \rubato
\time 3/4 \oneVoice bes16.\(( f'32) bes,8 des32( ees) des( ees) bes8\) r f'\( |
\grace { f16( } aes8.->) f16 ees8 f ees16( des) bes8\) |
\grace { e,16\(( } f8->) ees16 des ees16 des bes8\) r\shortfermata f'32( bes des ees) |
\time 2/4 <f des f,>8\(^\atempo f16 f f ees des ees |
<f bes, ges>8 << { ees4->\upmordent } \\ { \set fontSize = #-2 ees32. f64 ees32 f ees8 } >> \unset fontSize des16 bes |
<bes f des>16. f'32 bes,16 bes des8 <ees aes, f>16 des |
<bes f des>4.\) aes16\( bes |
<ees bes f>8-. des-. bes-.\) aes16\( bes |
<ees bes ges>8-. des-. bes-.\) r8 |
<des f, des>16\( bes8 bes16 des8 <f, des>16. des'32 |
<bes g ees>8^\rit <des bes g>4\upmordent^"Simile" <bes g des>8 |
<aes ees c>2\) |
\tempo \andante 4=84
r16 f'\(\p <des' bes> f, <f' bes,> f, <des' bes> f,\) |
r ees\( <bes' ges> ees, <ees' ges,> ees,\) des\(\mf ees |
<<
{ f16 aes f ees des ees des bes } \\
{ <des aes>4 aes8 r8 }
>> |
<bes f des>2\) |
r16 des\(\p <bes' f> des, <des' f,> des, <bes' f> des,\) |
r ees\( <ees' g,> ees, <des' g,> ees, <bes' g> ees, |
<aes ees c>2\)^\rit |
\tempo \allegretto 4=96
\stl des,,16\( \str <des' des,> \stl f,, \str <des'' des,> <bes f des>4\) |
\stl <f, f,>16\( \str f \stl <f f,> \str <des' des,> <bes f>4\) |
\clef treble des'16\( <des' f,> \stl f,, \str <des'' f,> <bes f des>4\) |
\stl f16\( \str #(set-octavation 1) <f' des f,> \stl f, \str <des'' f, des> <bes f des>4\) |
#(set-octavation 0) <des,, bes f>16\( ees f8 << { <ees bes f>8\upmordent } \\ { \set fontSize = #-2 ees32 f ees16 } >> \unset fontSize des8 |
<des aes>16 bes ees des <bes f>8 aes16 bes |
des bes <ees aes, f> des <bes f des>8\) r8 |
r8^\rit <a ees c>-. <bes f des>-. r8\fermata |
\tempo \rubato
\time 3/4 bes16.\(( f'32) bes,8 des32( ees) des( ees) bes8\) r f'\( |
\grace { f16( } aes8.->) f16 ees8 f ees16( des) bes8\) |
\time 4/4 r16 des,8\( ees16 f des ees des bes4\) r8\shortfermata \times 4/7 { f'32( ges aes bes c des ees) } |
\time 2/4 <f bes, f>8\(^\atempo <f bes, f>16 <f bes, f> <f bes, f> ees <des bes f> ees |
<f bes, f>8 << { <ees bes ges>4->\upmordent } \\ { \set fontSize = #-2 ees32. f64 ees32 f ees8 } >> \unset fontSize des16 bes |
<bes f>16. f'32 <bes, f>16 <bes f> <des bes f>8 <ees aes,>16 des |
<bes f des>4.\) aes16\( bes |
ees8-. <des bes f>-. <bes f des>-.\) r |
\clef bass r <des, bes ges> <bes ges des> r |
\clef treble <des' f, des>16\( bes8 bes16 des8 <f, des>16. des'32 |
<bes g ees>8 <des bes g>4\upmordent^"Simile" <bes g des>8 |
<aes ees c>4\) r8\breathe aes16\( bes |
ees8-. <des bes f>-. <bes f des>-.->\) r |
\clef bass r16 <ees, bes f>-. r <des bes f>-. <bes f des>8 r |
\clef treble r <des'' bes ges>-. <bes ges des>-.-> #(set-octavation 1) <aes' aes,>16\( <bes bes,> |
<ees bes ges ees>8-.^\rit <des bes ges des>-. <bes ges des bes>--\) #(set-octavation 0) r\fermata |
\tempo 4=80
<des,, f, des>16\(\mf^\ritenuto bes8 bes16 des8 <f, des>16. des'32 |
<bes g ees>8 <des bes g>4\upmordent <bes g des>8 |
<aes ees c>2\)\arpeggio\fermata |
<aes'' aes,>4-. r \bar "|."
}
lower = \relative c {
\clef bass \key bes \minor
\showStaffSwitch
<bes f' des'>2\arpeggio <ees ges bes>\arpeggio\fermata |
\clef treble <bes'' f'>\arpeggio <ees g>\arpeggio\fermata |
\clef bass <bes,, f' des'>8\arpeggio <bes' des>16-. <bes des>-. <bes des>8 <f bes> |
<bes des> <ges bes ees>-> bes ees, |
<des aes' f'>\arpeggio des'16( ees f8 f,8) |
bes( f bes,) f'16( aes |
<bes, bes'>8) <bes' des>16 <bes des> <bes des>8 <f bes> |
bes ees,( bes' ees,) |
aes( ees aes,4) |
s4 bes'8( bes,) |
s4 bes'8 bes,16\( f' |
des' bes ees des bes8\) aes16\( bes |
ees8 des bes\) aes16 bes |
<f bes des>8-. f,-. <bes f'>-. r8\fermata |
R2. | R2. |
\grace { e16\(( } f8->) ees16 des ees des bes8\) r4\shortfermata |
<bes f' des'>8\arpeggio <bes' des>16-. <bes des>-. <bes des>8 <f bes> |
<bes des> <ges bes ees>-> bes-. ees,-. |
<des aes' f'>\arpeggio des'16 ees f8-. f,8-. |
bes-. f-. bes,-. f'16 aes |
<bes, bes'>8 <bes' des>16 <bes des> <bes des>8-. <f bes>-. |
bes ees,-. bes'-. ees,-. |
aes-. ees-. aes,4 |
s4 bes'8( bes,) |
s4 bes'8 bes,16\( f' |
des' bes ees des bes8\) aes16\( bes |
ees8 des bes\) aes16 bes |
<f bes des>8-. f,-. <bes f'>-. r8\fermata |
R2. | R2. |
\grace { e16\(( } f8->) ees16 des ees des bes8\) r4\shortfermata |
bes8 <f' bes des> <bes des f>4 |
ges,8 <ees' bes'> <bes' ees>4 |
f,8 <f' bes des> <bes des f> <f c'> |
bes, <f' bes des> <bes des f> r |
aes,-. <f' bes des>-. <bes des f>-. r |
ges,-. <ees' bes'> <bes' ees> r |
f, <des' f bes> <f bes des>4 |
ees,8 <ees' g bes> <g bes ees>4 |
aes8-. ees-. aes,4 |
f''8\(\mf des16 des des8 f |
des ees4->\)\upmordent des16 ees |
<f, des' f>8 des'16( ees f8 f,) |
bes( f bes,) f'16(\mf aes) |
bes\( f' bes, bes des8 bes |
ees des4 bes8 |
aes\) ees aes,4 |
s4 bes'8( bes,8-.) |
s4 bes8( bes,-.) |
\clef treble s4 bes'''8( bes,16 bes') |
s4 bes'8 bes,16\( f |
des bes ees des bes8\) aes16\( bes |
des16 ees f8 ees des\) |
f-. f,-. bes-.
\clef bass <<
{ aes16\( bes |
des^"MD." bes ees des bes8\)^"MS." r8\fermata } \\
{ s8 | f-. f,-. <bes f'> s8 }
>> |
R2. | R2. |
r16 des8\( ees16 f des ees des bes4\) r8\shortfermata r |
<bes f' des'>\arpeggio <bes' des>16 <bes des> <bes des>8 <f bes> |
<bes des> <ges bes ees>-> bes ees, |
<f bes des> bes16 bes des8
<<
{ ees16 des } \\
{ f,8 }
>> |
bes-. f-. bes, r |
r <f' bes>-. <f bes>-. aes,16\( bes |
ees8-. des-. bes-.\) r |
f <des' f bes> <f bes des>4 |
ees,8 <ees' g bes> <g bes ees>4 |
<aes, ees' aes>4 r |
r8 <f' bes>-. <f bes>-. aes,16\( bes |
ees8-. des-. bes--\) r |
\clef treble ees''-.\( des-. bes-.->\) r |
r16 <ees ges bes>-. r <des ges bes>-. <bes des ges>8-- r\fermata |
\clef bass f,, <des' f bes> <f bes des>4 |
ees,8 <ees' g bes> <g bes ees>4 |
<aes, ees' aes>2\arpeggio\sustainOn\fermata |
\clef treble aes''4-.\sustainOff r \bar "|."
}
dynamics = {
s1\mf s1\p
s2*8\mf s2\p s2*3\mf
s2. s2. s2.\f
s2*8\mf s2\p s2*3\mf
s2. s2. s2\f s8 s8\mf
s2*4 s4. s8\mp s2 s2*3\mf
s2*7 s2\mf s2\f s2\mp s2\p s2*3\mf s2
s2. s2. s2.\f s8 s8\mf
s2*4 s4. s8\f s2 s2*3\mf
s4. s8\f s2 s4.\mp s8\p s2
s2*4\mf
}
\score {
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\new Staff = "rh" \upper
\new Dynamics = "dynamics" \dynamics
\new Staff = "lh" <<
\clef bass
\lower
>>
>>
\layout {
\context {
\type "Engraver_group"
\name Dynamics
\alias Voice
\consists "Output_property_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
\override DynamicLineSpanner #'Y-offset = #0
\consists "Script_engraver"
\consists "Dynamic_engraver"
\consists "Text_engraver"
\override TextScript #'font-size = #2
\override TextScript #'font-shape = #'italic
\consists "Skip_event_swallow_translator"
\consists "Axis_group_engraver"
}
\context {
\PianoStaff
\accepts Dynamics
}
}
}
\score {
\new PianoStaff <<
\new Staff = "rh" << \upper \dynamics >>
\new Staff = "lh" << \lower \dynamics >>
>>
\midi {
\context {
\type "Performer_group"
\name Dynamics
}
\context {
\PianoStaff
\accepts Dynamics
}
}
}
_______________________________________________
lilypond-user mailing list
[email protected]
http://lists.gnu.org/mailman/listinfo/lilypond-user
