On Sat, Oct 17, 2009 at 3:36 PM, Graham Percival <[email protected]> wrote: > ... ok, never mind. My vote definitely goes for the opera. Something > like page 18. That has plenty of "wow" factor, although maybe > Valentin can suggest a later section with even more stuff. Hmm...
Wow, I'm really flattered :-) Page 18 does look good indeed. Haven't had a look at it in eight months, and re-discovering it kind of made me go "wow" myself (not the notes, who cares, but the scoring, the layout and the articulation marks). > maybe bars 19-21 (inclusive) of Act I? It would be nice if there were > more percussion, and perhaps even interlocking vocal parts. Valentin, > any suggestions? Well, it depends on what features you want to show. Page 22: large crescendo, cool percussion Page 58: nice strings, articulations, percussion, voice trio Page 86: nice strings, cool marimba stuff Page 160: nice global crescendo, voices, and cross-staff piano Page 254: nice strings, some percussion Page 294: nice strings, cross-staff piano, wind slaps Page 349: nice "contemporary" look (bars 406-410 are very large in this PDF, but they could easily be adjusted to a 600px width) > I shouldn't spend the time to flip through your > entire score; there's too many issues with the build system that need > my attention. Well, there's always the option of condensing several cool things into one fragment, but that would be awful from a music point of view... BTW -- I don't think this is about demonstrating contemporary stuff -- but if it was, please have a look at Jose's PDF on http://zepadovani.info/cantodiviso-grade.zip before asking me :) Cheers, Valentin PS-- I've also begun writing a huge orchestral arrangement of the Free Software Song, that could do the trick -- but it won't be ready soon, if ever ;) _______________________________________________ lilypond-user mailing list [email protected] http://lists.gnu.org/mailman/listinfo/lilypond-user
