>From the docs on quoting other voices:
Only the contents of the first Voice occurring in an \addQuote command
will be considered for quotation, so music cannot contain \new and
\context Voice statements that would switch to a different Voice.
Here's a short example:
\version "2.13.9"
violinsA = \relative c'
{
c4 d e d
%divisi
%Explicit voicing breaks cue notes.
<<
{\voiceOne e f g f}
\new Voice {\voiceTwo c4 d e d}
>> \oneVoice
c d e d
c1
}
violinsB = \relative c'
{
c4 d e d
%divisi
%This doesn't break cue notes.
<<
{e f g f}
\\
{c4 d e d}
>>
c d e d
c1
}
\addQuote violinsA \violinsA
\addQuote violinsB \violinsB
asdfA = { R1*2 \cueDuring #"violinsA" #UP {R1*2} }
asdfB = { R1*2 \cueDuring #"violinsB" #UP {R1*2} }
\score
{
<<
\new Staff { \asdfA }
\new Staff { \asdfB }
>>
}
Why does 'B' work if the << // >> notation is just shorthand for
creating new voices? I'd much prefer to use the 'A' version so I can
have slurs and other things carry on easily past the divisi. Any ideas
on the best way to work around this limitation? Thanks.
-----Jay
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