Mats Bengtsson schrieb:
One trick that was proposed some week ago in a similar situation, is
to use a grace note:
\version "2.13.13"
mel = \relative c {
\time 3/4
\repeat volta 2 {
c4 c c | c2
}
\key a \major \grace{s16}
\repeat volta 2 {
c8 c | c4 c c c
}
}
\new Voice { \mel }
Just watch out that you include a similar grace note in all staves if
your score has several staves.
Thank you for the tip, it does the trick. There is a small space between
key signature and
the following repeat bar, but I think I can live with that.
Marc
/Mats
Marc Hohl wrote:
I don't know whether this is kind of standard notation practice,
but I have to sty as close as possible to the original score, so
I want to achieve something similar to the attached picture.
I tried to work with
\version "2.13.13"
mel = \relative c {
\time 3/4
\repeat volta 2 {
c4 c c | c2
}
\cadenzaOn \key a \major s4 \cadenzaOff
\repeat volta 2 {
c8 c | c4 c c c
}
}
\new Voice { \mel }
but it seems that the cadenza part is way too big and doesn't
dependent on the spacer.
Is there a way to include the key signature and tell lilypond to use
exactly the space the signature needs?
Thanks in advance,
Marc
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