Oups
The file attachment
Sorry ^^
Laurent
Le mercredi 11 août 2010 à 17:34 +0100, Graham Percival a écrit :
> On Wed, Aug 11, 2010 at 05:25:16PM +0200, TheBachMan wrote:
> > I use Lilypond for some time now, and I often find my answers in the
> > documentation (very well done), the LSR and on the French mailing-list,
> > very active!
> >
> > A bass line that splits into two with braces and returns on a single
> > line.
>
> The English (or maybe Italian?) term for this is "ossia". If you
> search in the normal places for "ossia", you'll find a few
> different ways of doing what you want. NR 1.6.x comes to mind,
> but a LSR search will also give you a solution.
>
> Cheers,
> - Graham
\version "2.13.29"
\header {
title = "La leçon de solfège"
subtitle = "Choeur - Basses"
composer = "Aymé KUNC"
copyright = "bla bla bla"
tagline = "bla bla"
}
tempoMark = {
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
\once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
\mark \markup \bold "Animé"
}
global = {
\tempoMark
\key d \major
\time 4/4
\compressFullBarRests
\override Hairpin #'to-barline = ##f
\override MultiMeasureRest #'expand-limit = #2
}
Basses = \relative c {
\global
\transposition c,
R1*1\fermata \bar "||"
R1*8
R1*8
R1*3
R1*1
R1*1
d16\f e d cis d4~ d16 e d cis d4~
d16 e d cis d a b cis d e fis g a b cis d
e, fis e d e4~ e16 fis e d e4~
e16 fis e d e b cis d e fis g a b cis d e
a,8 r8 r4 r2
a16\mf b a gis a b cis d g, a g fis g a b cis
d8 r8 r4 r2
d,16\f e d cis d e fis g a!\> b a g a b cis d\!
b,8\p r8 r4 r8\pp b'16 ( a g a fis g
e8-.) b4.->~ b16\< g' fis g e^\markup { \italic { cresc. } } fis d e\!
cis!8\f r8 r4 r8\pp cis'16 ( b a b gis a)
fis8-. cis4.->~ cis16 a' gis_\markup { \italic { cresc. } }a fis gis e fis
dis8\f r8 r4 r8 dis'16\< (cis b cis ais b\!
gis8)-. e!->~ e2 e4->~
e e8-.^\markup { \italic { dim. } }\> e-. e-. e-. e-. e-.\!
R1*1
r16\f cis dis e fis a gis fis e8 r8 r4\bar "||"
R1*3
r16\f fis gis a b cis d e\< d cis b a gis fis e d\!
d'8\ff->-. cis->-. r4 r2 \bar "||"
R1*8^"Moins animé" \key a \major \bar "||"
R1*12^"Modéré"
R1*9
R1*1^\markup { \italic { Soprano solo } }
R1*1
R1*1
R1*1
b,4.\pp^\markup "Aa---"\< (cis8\! b\>^\markup { \italic { Soutenu } } a4.)\!
d4.\< ( cis8\! d\> cis4.\!)
fis\< (gis8 e fis4.\!)
cis\> (d8 ais b4.\!)
b\p (c8 b a b c
d4.\< e8 d c d e\!)
R1*1
g4.\sf ( fis8\> e4. dis8\!
d!4) r4 r2
f4.\p\> (e8 d4\!) r4
R1*6^\markup { \italic { Plus lent } }
R1*1^\markup { \italic { Soprano solo } }
R1*1
R1*1
a16\pp^\markup { \italic { Solfiez } } (b a gis) a2 r4
r4 r8 a8-. a-. r8 r8 a-.
a16 ( b a gis) a2 r4
r4 r8 a8-. a-. r8 r8 a-.
a16 ( b a gis) a2 r4
r4 r8 a8-. a-. r8 r8 a-.
a16 ( b a gis) a2 r4
a16 b a gis a4~ a16 b a gis a4~
a16 (b a gis a b a gis_\markup { \italic { cresc. } }) a8-. gis'?-. ^\markup { \italic { La } } gis-. ^\markup { \italic { La } } gis-. ^\markup { \italic { La } }
gis-.\< ^\markup { \italic { La } } gis-. ^\markup { \italic { La...} } gis-. gis-.\! gis-.\ff gis-. gis-.\> gis-.
gis-. gis-. gis-. gis-. gis-.\!\pp r8 r4 \bar "||"
\key d \major
a,8-. r8 r8 a-. a-. r8 r8 a-.
a8-. r8 r8 a-. a-. r8 r8 a-.
a8-. r8 r8 a-. a-. r8 r8 a-.
a8-. r8 r8 a-. a-. r8 r8 a-.
a8-. r8 r8 a-. a-. r8 r8 a-.
a8-. r8 r8 a-. a-. r8 r8 a-.
a8-. r8 r8 a-. a-. r8 r8_\markup { \italic { cresc. } } a-.
a8-.\< r8 r8 a-. a-. r8 r8 a-.\!
a\f r8 r4\< r8 a' a a\!
d,4\ff ~ d16 e d cis d4 ~ d16 e d cis
d4~ d16 a b cis d e fis g a b cis d
e, fis e d e4~ e16 fis e d e4~
e16 fis e d e b cis d e fis g a b cis d e
a,8 r8 r4 r2
a16\mf b a gis a b cis d g, a g fis g a b cis
d8 r8 r4 r2
d,16\f e d cis d e fis g c,\> d c b c d e fis\!
b,8 r8 r4 r8 b'16\pp (a g a fis g
e8-.) b4.->~ b16\< g' fis g e fis d e\!
cis8\f r r4 r8 cis'16\pp (b a b gis a
fis8-.) cis4.->~ cis16\< a' gis a fis g e fis\!
d1\f~
d8_\markup { \italic { dim. } } d-. d-. d-. d-. d-. d-. d-.
R1*1
r16\ff b cis d e g fis e d r16 r8 r4
R1*3
r16\f e fis g a b c\< d c b a g fis e\! d c
\break
<< { c'8\ff->-. b->-. r4 r2\fermata \bar "||"
\time 3/4
a8-.\pp g-. r4 r4
b8-. a-. r4 r4
\bar "||" \time 4/4 a8-. g-. r4 b8-. a-. r4
a8-. g-. r4 b8-. a-. r4
g!8-. fis-. r4 a8-. gis-. r4
g!8-. fis-. r4 a8-. gis-. r4
g!8-. fis-. r4 r2
r8 a-> b-> cis-> d2->~
d8 g, a b cis2->~
cis8 fis, g a b2->~
b8 e, fis g a_\markup { \italic { dim. } } d, e fis
g\> a,\p r4\! r2 \bar "||"
}
\new Staff
%\with {\remove "Time_signature_engraver" }
{ \clef bass \key d \major c'8->-. b->-. r4 r2\fermata
\time 3/4 c8-. b-. r4 r4
d8-. cis-. r4 r4
\bar "||" \time 4/4 c8 -. b-. r4 d8-. cis-. r4
c8 -. c-. r4 d8-. cis-. r4
g8-. fis-. r4 a8-. gis-. r4
g8-. fis-. r4 a8-. gis-. r4
g8-. fis-. r4 r2
r8 fis-> g-> a-> b-> a-> g-> fis->
e4-> fis8 g a g fis e
d4-> e8 fis g fis e d
cis4-> d8 e fis b, cis d e a, r4 r2 \bar "||"
}
>>
\break
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { d8 e fis g fis g e fis g a g a
fis g a b a b e, fis g a g a
d, e fis g fis g e fis g a g a
fis g a b a b e, fis g a g a
fis g a b a b g_\markup { \italic { cresc. } } a b cis b cis}
fis,8-. r8 g8-. r8 e-. r cis-. r
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { d8\f e fis g fis g e fis g a g a
fis\< g a b a b g a b cis b cis\!}
d8_\markup { più \dynamic f } r r4 \set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { d8_\markup { \italic { Toujours plus animé } } cis b a b cis
}
d8 r r4 \set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { d8 cis b a b cis }
d8 r r4 \set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { d8 cis b a b cis }
d8 r r4 \set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { d8 cis b a b cis }
d8 r r4 \set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { d8 cis b a b cis }
d\< cis b a g fis e d \! \bar "||"
\time 2/2 a'2\ff-> d->
gis,-> a->
d,->_\markup { \italic { dim. } }\> fis
a d,\!
d1\pp~
d~
d~_\markup { \italic { cresc. } }
d~
d2 r2
r8\f d\< fis b d4 b8 fis\!
a->-.\ff r8 r4
<<{cis8->-. s8 s4 d8->-. s8 s4 s2 } \\ { a8->-. d8\rest d4\rest d,8->-. d8\rest d4\rest d2\rest } >> \bar "|."
}
\score {
\new Staff \with {
instrumentName = "Basses"
midiInstrument = "acoustic grand"
} { \clef bass \Basses }
\layout {
%\context {
% \Score
% \consists "Span_bar_engraver"
% Avoid a vertical line at the beginning of the system:
% \remove "System_start_delimiter_engraver"
% Incorporate the new context in the hierarchy
% \accepts "TemporaryStaff"
% }
%\context {
%\Staff
%\name "TemporaryStaff"
%\alias "Staff"
%\remove "Clef_engraver"
%\remove "Time_signature_engraver"
%\remove "Key_engraver"
%}
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
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