Hello, I reported this problem earlier, and stopped when my teacher said nothing was wrong on the score. But with 2.13.30" the portion has more such reports. Here's the music. When I comment out music before rehearsal 6 (sorry, mark line not included, see the comment line), no problem is found: programming error: no note heads for the line spanner on neighbor line? Confused. continuing, cross fingers And also, couldn't fit music on page. \version "2.13.30" str = \change Staff = rh stl = \change Staff = lh headsOn = \sequential { \override Dots #'transparent = ##t \override Stem #'transparent = ##t \override Beam #'transparent = ##t } headsOff = \sequential { \revert Dots #'transparent \revert Stem #'transparent \revert Beam #'transparent } harprh = \relative c' { \clef treble \key c \major \time 4/4 \showStaffSwitch % introduction % initial, bars 1-6 R1 | \time 5/4 R1*5/4 | \time 4/4 R1 | \time 5/4 R1*5/4*3 | % part 1 % rehearsal 1, bars 7-20 \time 9/8 R1*9/8*3 | \time 5/4 R1*5/4*5 | \time 9/8 R1*9/8*3 | \time 5/4 R1*5/4 | R1*5/4 | R1*5/4^\fermataMarkup \bar "||" % rehearsal 2, bars 21-37 R1*5/4*8 | R1*5/4_\markup { \harp-pedal #"^^-|-^--" } | s1*5/4 | R1*5/4*7_\markup { \harp-pedal #"vv-|-vv-" } | % rehearsal 3, bars 38-51 \time 3/4 R2.*7 | r4 r8 \autoBeamOff b32[\mf\< cis dis e fis gis a32*6]\glissando | \time 5/4 \autoBeamOn dis'4\!\f r r r2 | R1*5/4*5_\markup { \harp-pedal #"---|^--^" } | % rehearsal 4, bars 52-65 \time 9/8 R1*9/8*11 | \time 5/4 <g,, b,>2.\laissezVibrer r2 | R1*5/4^\markup { "B" \smaller \flat } | R1*5/4^\fermataMarkup \bar "||" % part 2 % rehearsal 5, bars 66-82 \key ees \major \time 4/4 <g ees c bes>1\arpeggio | R1 | <f c aes>\arpeggio | <aes ees c>\arpeggio | <g f ees>\arpeggio | <aes f ees c>\arpeggio | <a f ees c>\arpeggio | <bes f d>\arpeggio | r4 bes, <ees bes> <f bes,> | r <g bes,> <f bes,> <ees bes> | r c <ees c> <f c> | r <f aes,> <ees aes,> <des aes> | r <f aes,> <ees aes,> <des aes> | r f <bes f> <g ees> | r <f aes,> r <f aes,> | r <aes des, aes> <f des aes>2 | r4 <f ees> <bes d,>2 | % rehearsal 6, bars 83-108 s1*6 | s2 <c a e>4\arpeggio r4 | s1*8 | <bes aes f d>2\arpeggio r_\markup { \harp-pedal #"--^|^--^" } | r \stl \headsOn bes,,8\glissando \str f''\glissando \stl bes,4\glissando | \str \headsOff bes'''4 r r2 | R1*8_\markup { \harp-pedal #"---|----" } | % rehearsal 7, bars 109-120 R1*3 | g,,4\p^\flageolet r r2 | R1 | R1^\fermataMarkup | R1*3 | g'4^\flageolet r r2 | r2 \times 2/3 { g8-> g,4 } r4 | \times 2/3 { g'8->\> g,4 } r4 \times 2/3 { g'8->\!\pp g,4 } r4\fermata \bar "||" % part 3 % rehearsal 8, bars 121-130 \key c \major \time 3/4 R2.*4 | \time 4/4 R1 | R1 | \time 3/4 R2. | R2. | \time 5/4 R1*5/4 | R1*5/4 | % rehearsal 9, bars 131-146 \time 9/8 R1*9/8*3 | \time 5/4 R1*5/4*5 | \time 9/8 R1*9/8*3 | \time 5/4 R1*5/4*5 | % rehearsal 10, bars 147-167 R1*5/4*21 \bar "||" % coda % rehearsal 11, bars 168-188 \time 3/4 R2.*21 | % rehearsal 12, bars 189-202 R2.*6 | \time 4/4 R1*8 | % rehearsal 13, bars 203-238 \time 2/2 R1 | \stl \headsOn g,,4\glissando \str d''\glissando \stl g,2\glissando | \str \headsOff g'''4 r r2 | R1*32 | r2 \stl g,,,,\glissando | % finale % rehearsal 14, bars 239-248 \time 4/4 \str g''''4 r r2 | R1*3 | \time 3/4 R2.*4 | \time 4/4 R1 | R1 \bar "|." } harplh = \relative c { \clef bass \key c \major \showStaffSwitch % introduction % initial, bars 1-6 R1 | R1*5/4 | R1 | R1*5/4*3 | % part 1 % rehearsal 1, bars 7-20 R1*9/8*3 | R1*5/4*5 | R1*9/8*3 | R1*5/4 | R1*5/4 | R1*5/4^\fermataMarkup \bar "||" % rehearsal 2, bars 21-37 R1*5/4*9 | a32\mf\<^"gliss." b ces des e fes g a32*13\glissando \str \headsOn b'''8*4\!\>\glissando \stl a,,,,8\! \headsOff | R1*5/4*7 | % rehearsal 3, bars 38-51 R2.*8 | R1*5/4*6 | % rehearsal 4, bars 52-65 R1*9/8*11 | <g d'>2.\laissezVibrer r2 | R1*5/4 | R1*5/4^\fermataMarkup \bar "||" % part 2 % rehearsal 5, bars 66-82 \key ees \major <ees bes' ees g>1\arpeggio | R1 | <f c' f>\arpeggio | <aes ees' aes>\arpeggio | <c g'>\arpeggio | <aes ees' aes>\arpeggio | <f c' f>\arpeggio | <bes f' bes>2.\arpeggio <bes, bes'>4 | ees8 bes' g' bes, g' bes, g' bes, | ees, bes' g' bes, g' bes, g' bes, | f c' aes' c, aes' c, aes' c, | des, aes' f' aes, f' aes, f' aes, | f des' f des f des f des | c, g'' c g c g c g | f, c' f c ees, c' f c | des, aes' f' aes, f'2 | bes,8 f' bes f bes f aes, f' | % rehearsal 6, bars 83-108 \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 { ges,([ des' ges] \str bes[ des ees] bes'[ ges ees] \stl des[ bes ges)] } | \times 2/3 { f,([ des' f] \str bes[ des f] des'[ bes f] \stl bes,[ f bes,)] } | \times 2/3 { a([ e' a] \str cis[ e fis] cis'[ a fis] \stl e[ cis a)] } | \times 2/3 { gis,([ e' gis] \str cis[ e gis] e'[ cis gis] \stl e[ b e,)] } | \times 2/3 { a,([ e' a] \str c[ e a] c[ a e] \stl c[ a e)] } | \times 2/3 { g,([ e' a] \str c[ e a] c[ a e] \stl c[ a e)] } | \times 2/3 { fis,([ e' a] \str c[ e a)] } \stl <fis, c'>4\arpeggio f, | \times 2/3 { e8([ b' e] \str a[ b e)] \stl e,([ b' e] \str gis[ b e)] } | \stl \times 2/3 { g,,,([ d' g] \str b[ d e] b'[ g e] \stl d[ b g)] } | \times 2/3 { fis,([ d' fis] \str ces'[ d fis] d'[ ces fis,] \stl ces[ fis, ces)] } | \times 2/3 { bes([ f' bes] \str d[ f g] d'[ bes g] \stl f[ d bes)] } | \times 2/3 { a,([ f' a] \str d[ f a] f'[ d a] \stl f[ c f,)] } | \times 2/3 { bes,([ f' bes] \str des[ f bes)] \stl a,,([ f' bes] \str des[ f bes)] } | \stl \times 2/3 { aes,,([ f' bes] \str des[ f bes)] \stl g,,([ f' bes] \str des[ f bes)] } | \stl \times 2/3 { ges,,([ f' bes] \str des[ f bes)] \stl f,,([ des' bes'] \str des[ f bes)] } | \stl <e, aes bes>2\arpeggio r2 | r2 s | R1*9 | % rehearsal 7, bars 109-120 R1*5 | R1^\fermataMarkup | R1*5 | R1^\fermataMarkup \bar "||" % part 3 % rehearsal 8, bars 121-130 \key c \major R2.*4 | R1 | R1 | R2. | R2. | R1*5/4 | R1*5/4 | % rehearsal 9, bars 131-146 R1*9/8*3 | R1*5/4*5 | R1*9/8*3 | R1*5/4*5 | % rehearsal 10, bars 147-167 R1*5/4*21 \bar "||" % coda % rehearsal 11, bars 168-188 R2.*21 | % rehearsal 12, bars 189-202 R2.*6 | R1*8 | % rehearsal 13, bars 203-238 R1 | s1 | R1*33 | r2 s | % finale % rehearsal 14, bars 239-248 R1*4 | R2.*4 | R1 | R1 \bar "|." } dynamics = { % introduction % initial, bars 1-6 s1 | s1*5/4 | s1 | s1*5/4*3 | % part 1 % rehearsal 1, bars 7-20 s1*9/8*3 | s1*5/4*5 | s1*9/8*3 | s1*5/4*3 \bar "||" % rehearsal 2, bars 21-37 s1*5/4*17 | % rehearsal 3, bars 38-51 s2.*8 | s1*5/4*6 | % rehearsal 4, bars 52-65 s1*9/8*11 | s1*5/4*3\p \bar "||" % part 2 % rehearsal 5, bars 66-82 s1*14\mp | s1\< | s\!\mf\> | s2. s4\!\mp | % rehearsal 6, bars 83-108 s1*2 | s\< | s\!\mf\< | s1\!\f\> | s2 s\!\mp | s1*2 | s\< | s\!\mf\< | s2 s\!\> | s1\!\mp | s2 s\f | s1*9 | % rehearsal 7, bars 109-120 s1*12 \bar "||" % part 3 % rehearsal 8, bars 121-130 s2.*4 | s1*2 | s2.*2 | s1*5/4*2 | % rehearsal 9, bars 131-146 s1*9/8*3 | s1*5/4*5 | s1*9/8*3 | s1*5/4*5 | % rehearsal 10, bars 147-167 s1*5/4*21 \bar "||" % coda % rehearsal 11, bars 168-188 s2.*21 | % rehearsal 12, bars 189-202 s2.*6 | s1*8 | % rehearsal 13, bars 203-238 s1 | s1\mp\< | s1*33\!\ff | s2 s\f | % finale % rehearsal 14, bars 239-248 s1*4 | s2.*4 | s1*2 \bar "|." } \score { \new PianoStaff = "harp" << \set PianoStaff.instrumentName = "Harp" \set PianoStaff.shortInstrumentName = "Hrp." \set PianoStaff.connectArpeggios = ##t \new Staff = "rh" { \keepWithTag #'score \harprh } \new Dynamics { \dynamics } \new Staff = "lh" { \keepWithTag #'score \harplh } >> \layout { } }
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