Hi, folks.
I have a multistaff score that requires alternative brackets. I tried the
tweak for getting brackets to show in staves below the top staff (below: I
may be putting it in the wrong place), but I'm not getting brackets at all.
They do print in the individual parts.
What am I missing? In the attachments, document.ly is the file to run. I
also included sop.ly, which is a part that prints correctly. The volta
repeat appears on the last page. Thanks.
\new StaffGroup <<
\keepWithTag #'score
\new Staff { \with { \consists "Volta_engraver" } << \global
\Soprano >>}
\new Staff { << \global \Alto>> }
\new Staff { << \global \Tenor>> }
\new Staff { << \global \Baritone>> }
>>
>>
Qian
%%%% document.ly
\version "2.10.10"
\include "english.ly"
\include "content.ly"
#(set-global-staff-size 14)
\book{
\header
{
title = "Treatment by the Rippin Stitches"
composer = "Qian Li"
}
\score {
<<
%rehearsal marks for parts
\new MarkLine { \marks }
\new StaffGroup <<
\keepWithTag #'score
\new Staff { << \global \Soprano >>}
\new Staff { << \global \Alto>> }
\new Staff { << \global \Tenor>> }
\new Staff { << \global \Baritone>> }
>>
>>
\layout {
\context {
\type "Engraver_group"
\name "MarkLine"
\consists "Output_property_engraver"
\consists "Axis_group_engraver"
\consists "Mark_engraver"
\consists "Metronome_mark_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(4 . 0 )
}
\context {
\Score
\remove "Mark_engraver"
\remove "Metronome_mark_engraver"
\accepts "MarkLine"
\remove "Staff_collecting_engraver"
}
\context {
\Staff
\consists "Mark_engraver"
\consists "Staff_collecting_engraver"
}
\context{
\RemoveEmptyStaffContext
}
}
\midi {
\context {
tempoWholesPerMinute = #(ly:make-moment 60 4)
%end context
}
%end midi
}
%end score
}
\paper
{
#(set-paper-size "letter" 'landscape )
left-margin = 1\in
line-width = 9.25 \in
top-margin = 0.5 \in
bottom-margin = 1 \in
ragged-bottom = ##t
between-system-space = 0.5\in
% ragged-last-bottom = ##t
}
%end book
}
% to do
% volta 2 repeats in spin
%%%%% content.ly
\version "2.10.10"
%identifiers
TextSpan = { \override TextSpanner #'direction = #1 }
Left = {\set stemLeftBeamCount = #1 }
Lefttwo = {\set stemLeftBeamCount = #2 \set stemRightBeamCount = #1 }
Leftboth = {\set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 }
Right = {\set stemRightBeamCount = #1 }
Righttwo= {\set stemLeftBeamCount = #1 \set stemRightBeamCount = #2 }
Rightboth= {\set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 }
ssp = {\set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 }
ss = {\set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 }
Rests = {\override Rest #'transparent = ##t}
XHead = { \override NoteHead #'style = #'cross }
NormHead = { \revert NoteHead #'style }
sfzppp = #(make-dynamic-script "sfzppp")
pf = #(make-dynamic-script "p-f")
mff = #(make-dynamic-script "mf-f")
ftfff = #(make-dynamic-script "f-fff")
%This allows manual adjustment of dynamic marker to avoid collision with octavation or other spanner markup
dynamicsXY = #(define-music-function (parser location offsetX offsetY)
(number? number?)
#{
\once \override DynamicText #'X-offset = $offsetX
\once \override DynamicLineSpanner #'Y-offset = $offsetY
#})
%see violaduets/144.ly for examples
OctA = {#(set-octavation 1) }%\set Staff.middleCPosition = #-13
OctAA = {#(set-octavation 2) }%\set Staff.middleCPosition = #-20
OctBass = {#(set-octavation -1) \set Staff.middleCPosition = #13 }
EndOct = {#(set-octavation 0)}
EndBass = {#(set-octavation 0)\set Staff.middleCPosition = #6 }
OttBrakY = #(define-music-function (parser location padOtt)
(number?)
#{\once \override Staff.OttavaBracket #'padding = $padOtt #})
OttPadY = #(define-music-function (parser location padOtt)
(number?)
#{\override Staff.OttavaBracket #'padding = $padOtt #})
%This allows manual adjustment of dynamic marker to avoid collision with octavation or other spanner markup
dynamicsXY = #(define-music-function (parser location offsetX offsetY)
(number? number?)
#{
\once \override DynamicText #'X-offset = $offsetX
\once \override DynamicLineSpanner #'Y-offset = $offsetY
#})
global= {
}
%for cues
smaller = {
\set fontSize = #-2
\override Stem #'length-fraction = #0.8
\override Beam #'thickness = #0.384
\override Beam #'length-fraction = #0.8
}
%rehearsal marks for all parts and print only once at top of full score
marks = {
}
%music contents organized as identifiers
smel = {
\relative c'' {
\set Staff.instrumentName = "Soprano Sax "
\set Staff.shortInstrumentName = "S"
\set Staff.midiInstrument = "soprano sax"
\set Score.skipBars = ##t
\once \override TextScript #'padding = #0.2
\time 4/4
df4-.\p ^\markup{
\tiny \note #"4" #0.7 "= 60 Tentatively "
} r df8 bf r bf|
c4 r2 df8^\markup{Gradually accel. and strengthen} bf |
\time 2/4
\times 2/3{c4 r8} \times 2/3{r4 df16( bf)} |
\time 4/4
c4 \times 2/3{r4 df16( bf)} c4 \times 2/3{r4 bf8} |
\once \override TextScript #'padding = #1.2 bf2 ^\markup{
\tiny \note #"4" #0.7 "= 80 Meandering lightly "
}\times 2/3 {df16( ef) df8 bf} c4 |
\times 2/3{c4 df16( bf)} c4 \times 2/3{c4 df16( bf)} \times 2/3 {c4^\markup{Brighten} e?8} |
e2 \times 2/3 {r4 bf8} c4 |
\time 5/4
bf2\p^\markup{Open slightly} c4 df2 |
\time 6/4
ef8(^\markup{\italic{mosso}} ff) gf4^\markup{\italic{riten}} ff \once \override TextScript #'padding = #2.2 df8 ^\markup{\italic{mosso}} af'( gf4)^\markup{\italic{riten}} ff |
\time 4/4
gf1 ^\markup{Recover tempo, gently} |
\time 2/4
R1*2/4 |
\time 4/4
R1*2 |
\time 5/4
R1*5/4 |
\time 4/4
f8-. f-. f-. df( ef4) r16 ef( d) f |%E
ef4 r bf8 a16( gs) ef8\sf eff'16( df) |
a4 \once \override TextScript #'padding = #2 ef'16^\markup{Increasingly manic } ef, ef' d? cs8 d16 cs af'16( bf) ef( df) |
bf4 bf,16 ef( f-.) df-. af df( ef-.) c-. g g \acciaccatura af g8 |
f16( g) bf c d( df) a( bf) d4 d8( a16 bf) |
ef16( d) f( c) ef( d) b?( as) r4 \times 4/6{ef'16( \Leftboth df \Lefttwo a bf) d8~(} |
\times 4/6{ d16 \Leftboth df \Lefttwo a bf) d8~} d4 \times 4/6{d16( \f df c b bf a) }
<<
{
r4}
{
s8 \once \override TextScript #'padding = #5 s8^\markup {
\tiny \note #"8" #0.7 "= "
}
}
>> |
}%end smel
}
sspin = {
\relative c''' {
\time 21/16
\once \override TextScript #'padding = #2 d16([ \f ^\markup
{
\tiny \note #"8" #0.7 "= 160 Dizzying blend "
} df c b bf a)] af([ g f fs b,?)] fs'([ df b df g, fs)] e([ \p c?) e( c) ] |
%15/16
\time 15/16
f'16[(\f gf f e ef d f]) df[( c e b bf]) d16[\p df^\markup{Dry} c] | %m25
f[( gf f e ef d f]) df[( c e b bf]) d16[\p df^\markup{Dry} c] |
%% original beginning
\time 21/16
\once \override TextScript #'padding = #2 d'16([ df c b bf a)]
af([ g f fs b,?)]
fs'([ df b df g, fs)]
e([ \p c?) e( c) ] |
\time 15/16
r4 r8. %sopdesc2
g''16[(\p gf f e ef] d[ e f~] |%m25
f[) gf (\f f e ef d f]) df[( c e b bf]) r8. |
%2nd time start
\time 21/16
\once \override TextScript #'padding = #2 d'16([ df c b bf a)]
af([ g f fs b,?)]
fs'([ df b df g, fs)]
e([ \p c?) e( c) ] |
\time 15/16
r4 r8. %sopdesc2
g''16[(\p gf f e ef] d[ e f~] |%m25
f[) gf (\f f e ef d f]) df[( c e b bf]) r8. |%3rd time
\time 21/16
\once \override TextScript #'padding = #2 d'16([ df c b bf a)]
af([ g f fs b,?)]
fs'([ df b df g, fs)]
e([ \p c?) e( c) ] |
\time 15/16
r4 r8. %sopdesc2
g''16[(\p gf f e ef] d[ e f~] |%m25
f[) gf (\f f e ef d f]) df[( c e b bf]) r8. |
\time 21/16 %sopdesc1
d'16([ \f df c b bf a)] af([ g f fs b,?)] fs'([ df b df g, fs)] e([ \p c?) e( c) ] |
\time 15/16
f'16[(\f gf f e ef d f]) g16[( gf f e ef] d[e f~] |%m25
f[) gf (\f f e ef d f]) df[( c e b bf]) r8. |%duplicate
\time 21/16 %sopdesc1
d'16([ \f df c b bf a)] r4 r16 r4. e,16([ \p c?) e( c) ] |
\time 15/16
r4 r8. g''16[( gf f e ef] d[) df c] |%MOVEtoAlt:
r16 gf'[( f e ef d f]) df[( c ef b bf]) r8. |
\time 21/16%sopdesc4
r8. d'16[( df c] b[ bf a) af( g] fs[ cs b)] \ss r8. r8 b32[ b b16] |%sopdesc3
\time 15/16 %too parallel?
b8 g'16[( gf f e ef]) r f[( df c e]) d[( df c]) |
r df[(\f \Lefttwo c b8 \Righttwo a16 af]) g8.([ bf16 fs)] d'[( e f)] |%trunc
\time 21/16
af4. r16 g([ f fs b,?)]
fs'([ df b)] r8.
e,16([ \p c?) e( c) ] |%m35
\time 15/16 %[c] bracket
d''[(\f df c b bf a c]) af[( g d f e]) c[( g a?]) |
r8 g'16[( gf f e ef]) d[( f df c \TextSpan \override TextSpanner #'edge-text = #' ("cresc. poco a poco " . "") e])\startTextSpan d[( df c]) |
\time 21/16
r4. g'16[( gf f e ef]) d[( f df c e b] bf[) \stopTextSpan f(\ff\> e d?)\f] |
\time 15/16
d''[( df c b bf a af] g16[( gf f e ef] d[) df c] |
as[( b e,) as ( fs e fs] c[ b8]) r d'16[(\f df c)] |%m35
\time 21/16
as[(\p b e) d'16( df c] b[ bf a) af( g] fs[ \> cs b cs g fs)] e8[ \p e32 as b16] |
\time 15/16
f'8[ g16( gf f e ef]) d[( f df c e]) d[( e f~] |
f[( gf f e ef d f]) df[( c ef b bf]) cs[( bf a] |
\time 21/16
af8)[ \ss r16 \Left d'16[( df c] b[ bf a) af( g] fs[ cs b cs g fs)] e[(\p c) e( c)] |
\time 15/16
r4.. g''16[( gf f e ef] d[) df c] |
as[( b e,) as ( fs e fs] c b4) r8. |
%end relative
}%end sspin
}
sblk = {
\repeat volta 2{
\time 21/16
s4. ^\markup{ Stay in cycles with Alto using any beat combination from mm. 22-38 } s4 s16 s4. s4 |
\time 15/16
s4.. s4 s16 s8. %end volta
}
\alternative {
{s4.. s4 s16 s8.}
{r4.. r4 r16 r8.}
}%4/4
\time 4/4
r1^\markup{Wander offstage, cutting out at will} |
%end sblk
}
amel = {
\relative c''{
R1*2 |
r2 |
\tupletUp \times 2/3{r4 df16(\p bf) } c4 \times 2/3 {r4 df16(\p bf) } \tupletNeutral c4 |
bf2 r4 \times 2/3 {r4 df16( bf)} |
c4 \times 2/3{r4 df16( bf)} c4 \times 2/3{c4^\markup{Brighten} e8} |
e4~ \times 2/3{e4 df8} e4 \times 2/3{c4 bf16( df)} |%5/4
e4^\markup{Open slightly} d2 c4 af |%6/4
gf8(^\markup{\italic{mosso}} ff) gf4^\markup{\italic{riten}} ff \once \override TextScript #'padding = #2.2 df8 ^\markup{\italic{mosso}} af'( gf4)^\markup{\italic{riten}} ff |%c
gf4^\markup{Recover tempo, sweetly} df'8( c) c( bf) c( df) |%2/4
ef,( d?) f? g?16( af) | %c
af2. bf8( c) |
df ef~ ef2 r8 ef( |%5/4
bf8) c ef df ef2 bf4~|
bf1 |
r4 cs16 as( b) e, as4 ds,\sf |
fs16( \pp es ds8) ds'\f ds, \times 2/3 {cs c f} as4 |
r4 df,2~( \p\< ^\markup{Smooth, cloying} df8\f c16(\> b? |
bf16^\markup{tumble, thunk!} a af) f--\! df'4~ (\f df8 c16(\> b a? af) f8--\! |
df'8\f c16( b? a af) f8--\sf r8. a16 g16( fs) ef8 |
df8.-> a'16 g16( fs) ef8 d4 c'16( b? a af) |
%c4~ c16 ef8 df16 bf4 \acciaccatura af8 g^\markup{Driving} g16 g ~ |
%g8 f~ c'4 g16 g d' df r16 as( b) e,? |
%as4 r4 c16( as) b( e,) as4 |
%as4\p\< \times 4/6{ f'16 ef \Leftboth bf \Lefttwo a d8~\f } d4 r4 |
%end relative
}
}
aspin = {
\relative c'''{
\once \override TextScript #'padding = #2 d16([ \f ^\markup
{
\tiny \note #"8" #0.7 "= 160 Dizzying blend "
} df c b bf a)]
af([ g f fs b,?)]
fs'([ df b df g, fs)]
e([ \p c?) e( c) ] |
%15/16 %altdesc2
f'[( gf f e ef d f]) df[( c e b bf]) d16[\p df^\markup{Dry} c] |
f[( gf f e ef d f]) df[( c e b bf]) d16[\p df^\markup{Dry} c] |
%21/16 original m22 beginning
d16([ \p e f) d( e f)] g ([ \f gf f e ef)] d([ f df c e b] as)[ d,?( e f)] |
%15/16 %altdesc2
f'[( gf f e ef d f]) df[( c e b bf]) d16[\p df^\markup{Dry} c] |
gf8--[ e16 as ( fs e fs] c b4) d'16[(\f e f~] |%m25
%2nd time start 21/16 original m22 beginning
d16([ \p e f) d( e f)] g ([ \f gf f e ef)] d([ f df c e b] as)[ d,?( e f)] |
%15/16 %altdesc2
f'[( gf f e ef d f]) df[( c e b bf]) d16[\p df^\markup{Dry} c] |
gf8--[ e16 as ( fs e fs] c b4) d'16[(\f e f~] |% 3rd time start
d16([ \p e f) d( e f)] g ([ \f gf f e ef)] d([ f df c e b] as)[ d,?( e f)] |
%15/16 %altdesc2
f'[( gf f e ef d f]) df[( c e b bf]) d16[\p df^\markup{Dry} c] |
gf8--[ e16 as ( fs e fs] c b4) d'16[(\f e f~] |%
%21/16
f4.) %altdesc1
r4 r16 r4. r16 f,([\ff\> e d?)\f] | %altdesc2
%15/16
r4 r8. df'16[( c ef b bf]) d16[\p df c] |
gf8--[ e16 as(\p fs e fs] c b4) d'16[(\f e f~]
%21/16
f4. g16[( gf f) e^\markup{Dry} ef] d[( f df c e b] bf) f[( e d)] |
%15/16
f'16[( gf f e ef d f]) df[( c ef b bf]) d[( e f] |%REPLACESophere m30
as,[(\pp b) e,16\p as( fs e fs] c b4) d'16[(\f e f~]
%21/16
f16[( e\p f g gf f)] e[( ef d f df)] c[( e b as b e,)] r16 d[( e f)] |
%15/16
d'[ \ssp r \Left d32 d ] r4 d8 r8. b16[( as f]) |
f[(\f gf f e ef d f]) df[( c e b bf]) cs'[( bf a]) |
%21/16
e'[(\p\< f a\f\> f ef d])\p g16[(\f gf8. ef16]) d8.[( c16 ef b] bf[) f(\ff\> e? d?)\f] | %m30
%15/16
f'16[( gf f e ef d f]) df[( c ef b bf]) d[( e f~] |
f[( gf f e ef d f]) df[( c ef b bf]) d[( df c)] |
%21/16
d16([ df c b bf a)]
af([ g f fs b,?)]
fs'([ df b df g fs)]
e([ c?) e( c) ] \stopTextSpan \f |
%15/16
f'16[( gf f e ef d f]) df[( c ef b bf]) d[( e f~] |
f[( gf f e ef d f]) df[( c ef b bf]) d,[(\f e f] |%m35
%21/16 %parallel
f'[(\p df c) as( b e)] f8.[( e16 ef]) d[( f df c e b] bf[) f(\ff\> e d?)\f] |
%15/16
e'16[( gf f e ef d f]) df[( c ef b bf]) d[( df c]) |
d?[( \Right df) \ssp r \Left b32 b bf16 a af] g([ f fs bf fs)] d[( e f?)] |
%21/16
f8[ df' ef,] r4 r16 r4 r16 fs16~->\sfz^\markup{Drop like a weight} fs4~ |
%15/16
fs4.. r16 fs4~-> fs8. |
r16 fs4~-> fs16[ fs~->] fs8[ fs8-> fs16->] fs->[ fs->] r |
%end relative
}%end aspin
}
ablk = {
\relative c''{
%\repeat volta 2{
s4. ^\markup{ Stay in cycles with Soprano using any beat combination from mm. 22-38 } s4 s16 s4. s4 |
s4.. s4 s16 s8. %end volta
%}
%\alternative {
{s4.. s4 s16 s8.}
{s4.. s4 s16 d16([ df c ]}
% }
%recuperation 4/4
af4) \times 2/3 {r4 df16( bf)} c4 \times 2/3 {r4 df16( bf)} |%5/4 time
\time 5/4
c4 r d ef2 |%6/4
\time 6/4
f2 ef8 gf ef2 ef8 gf |
\time 4/4
af2. \times 2/3{r4 df,16( bf)} |
c2 df4( bf) |
c1\< ^\markup{Take up more space}|
d2 ^\markup{Magestically follow Tenor offstage; overdo it} ef |
f1\ff %end relative
}%end ablk
}
tmel = {
\relative c' {
R1*2 |
R1*2/4 |
R1*4
R1*5/4|
R1*6/4
R1
R1*2/4|
R1*2 |
R1*5/4 |
R1*7 |
}
}
tspin = {
\relative c' { %21/16
R1*21/16
%15/16
R1*15/16*2
%21/16
R1*21/16
%15/16
R1*15/16*2
%21/16 2nd time start
R1*21/16
%15/16
R1*15/16*2 %21/16 3rd time
r4.^\markup{From offstage} r4 r16 r4. as4~ \p\< |
%15/16
as4~ as8. df,16-.\f [ df8-. df-.] c8.~\>^\markup{Casually walk onstage} |
c8[\p c c8.] r4^\markup{Briefly pause, listening} r16 r8.
%21/16
d16([^\markup{Continue, arriving near Soprano} e f)] r8. d16\p[ d d8 d16] d16 [ \Lefttwo df ef'8-- d,] bf'16[( \f\> af g f\p)] |%tendesc
%15/16
df'16([ \Rightboth c \Lefttwo as) b8-- e,--] es16([ fs e) c\f ^\markup{Grainy} b] e([\> c b)]\p |
c8[\p c c8.] d'16([ \f df c b bf]) a?([ g f)] |
%21/16
d16([ e f)] r8. d16\p[ d d8 d16] d16 [ \Lefttwo df ef'8-- d,] bf'16[( \f\> af g f\p)] |%tendesc
%15/16
df'16([ \Rightboth c \Lefttwo as) b8-- e,--] es16([ fs e) c\f ^\markup{Grainy} b] e([\> c b)]\p |
df'16([ \Rightboth c \Lefttwo as) b8-- e,--] as16([ fs e) c\f b] e([\> c b)] |
%21/16
a4.\p a16[^\markup{firm} a8 a16-.] r16 a16[ a8 a-. a16-. ] r8. f''16( \f|
%15/16
e16[ ef d f) df ( c e?] b [ bf) d ( e f)] r f[( e] |
ef[ d df c) b?( bf af] b [ e,) a( e ds)] bf8. |
%21/16
r8. af'32[ af af16 af] r16 a([ e ds e)] r a([ e ds e g]) r a([ e ds ]) |
%15/16
cs'16([ bs as) b8-- e,--] es16([ fs e) c( b)] e([ c b)] |
cs'16([ bs as) b8-- e,--] as16([ fs e) c( b)] e([\> c b)]\p |
%21/16 %put alto here
b[\f cs8. a?8] r4 r16 r4. r4 |
%15/16
r8. r4 f'2->\sfz^\markup{Drop like a weight} |
r4 r16 f8->~ f4~ f16
r16 f8~-> |
%21/16
f8.[ f8.->] f8->[ f16-> f->] r r4. r4 |
%15/16
R1*15/16 |
r16 f4.~-> f4~ f16 r8 f16~-> |
%21/16
f4. r16 f4-> r16 f8.->[ f8->] f16->[ f-> f-> f->] |
%15/16
f[^\markup{\italic{sim.}} f f f f f f] f[\p f f] r8 f16[ f f] |
f8[ r8 f16 f f] r bf[( a16\f af g] f[ fs) bf] |
%end relative
} %end tspin
}
tblk = {
\relative c{
\repeat volta 2{
s4. ^\markup{
\column{
\line{Walk, insect-like, to and along the walls of the entire space improvising }
\line{on anything you heard in past minute of Soprano and Alto, }
\line {free meter and tempo, even more painful and humiliating }
}
}s4 s16 s4. s4 |
s4.. s4 s16 s8.%end volta
}
\alternative {
{s4.. s4 s16 s8.}
{s4.. s4 s16 s8.}
} %4/4
r1 |%5/4
fs'4 e r d bf|%6/4
af2 af8 gf ef bf'( af4)^\markup{\italic{riten.}} gf |
af^\markup{\italic{mosso}} ef'8( d) d( c) d( ef)
f,4 f8( ef) ef( d) a'( bf) |
f c a16( g) c8 r4 d~ ^\markup{Gradually exit offstage as if escaping Alto's crescendo}|
d2. r4 |
r1
%end relative
}%end tblk
}
bmel = {
\relative c' {
R1*2 |
R1*2/4 |
R1*4
R1*5/4|
R1*6/4
R1
R1*2/4|
R1*2 |
R1*5/4 |
R1*7 |
% g g g g g g g g g g g g g g g g |
% af4 r8 g16 g r4 g16 g g g |
}
}
bspin = {
\relative c { %21/16
R1*21/16
%15/16
R1*15/16*2
%21/16
R1*21/16
%15/16
R1*15/16*2
R1*21/16
%15/16
R1*15/16*2
%21/16
R1*21/16 |
%15/16
R1*15/16*2 |
%21/16
R1*21/16 |
%15/16
R1*15/16*2 |
%21/16
R1*21/16
%15/16
R1*15/16
r8^\markup{Offstage; drop like an iron weight} f2~->\sfz f16~ f4~ |
%21/16
f4. r4^\markup{Walk with severe purpose until very close to Alto} r16 r4. r4
%15/16
R1*15/16 |
r4. f2~-> \sfz f16~ |
%21/16
f4. r4 r16 r4. r4 |
%15/16
r4 f8.~->\sfz f4~ f16 r8. |
r4 r8. r8. f8~->\sfz f8. |
%21/16
r4. r8 f8.~->\sfz f4 r16 f16->~ f4 |
%15/16
f8.->\sfz [ f8-> f16-> f->] r4 r16 r8. |
R1*15/16 |
%21/16
r4. f4~-> f16~ f4. r8 f~-> |
%15/16
f4.~-> f16~-> f4 f16~-> f8[ f16~->] |
f8[ f16-> f->] r8. r4 r16 r8. |
%21/16
f4.~-> f4 r16 r8 f16~-> f4.. |
%15/16
f4~-> f16 f8~-> f16[ f8-> f16-> f->] f->[ f-> f->]
r^\markup{\italic{sim.}} f32\>[ f f16 f8 f16\pp f] f[ f f f f] f[ f f] |
%end relative
}%end bspin
}
bblk = {
\relative c {
\repeat volta 2{
s4. ^\markup{
\column{
\line{Walk, insect-like, to and along the walls of the entire space improvising }
\line{on anything you heard in past minute of Soprano and Alto, }
\line {free meter and tempo, even more painful and humiliating }
}
}s4 s16 s4. s4 |
s4.. s4 s16 s8.%end volta
}
\alternative {
{s4.. s4 s16 s8.}
{s4.. s4 s16 s8.}
} %4/4
r1^\markup{Wander offstage, cutting out at will} |
%end relative
}%end bblk
}
%rehearsal marks for all parts and print only once at top of full score
marks = {
}
Soprano = \new Voice {
\override Score.MetronomeMark #'transparent = ##t
\smel
\tempo 8=160
\sspin
\sblk
%end sop
} %*********************************
Alto = \new Voice {
\set Staff.instrumentName = \markup { "Alto Sax" }
\set Staff.shortInstrumentName = "A"
\set Staff.midiInstrument = "alto sax"
\set Score.skipBars = ##t
\amel
\aspin
\ablk
%end alt
} %*********************************
Tenor = \new Voice {
\set Staff.instrumentName = "Tenor Sax "
\set Staff.shortInstrumentName = "T"
\set Staff.midiInstrument = "tenor sax"
\set Score.skipBars = ##t
\clef bass
\tmel
\tspin
\tblk
} %*********************************
Baritone = \new Voice {
\set Staff.instrumentName = "Baritone Sax "
\set Staff.shortInstrumentName = "B"
\set Staff.midiInstrument = "baritone sax"
\set Score.skipBars = ##t
\clef bass
\bmel
\bspin
\bblk
} %**********************************
music = {
<<
\tag #'score \tag #'flu \new Staff { << \global \Soprano >> }
\tag #'score \tag #'cla \new Staff { << \global \Alto>> }
\tag #'score \tag #'bas \new Staff { << \global \Tenor>> }
\tag #'score \tag #'dbs \new Staff { << \global \Baritone>> }
>>
}
\version "2.10.10"
\include "english.ly"
\include "content.ly"
%identifiers
Left = {\set stemLeftBeamCount = #1 }
Right = {\set stemRightBeamCount = #1 }
ssp = {\set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 }
ss = {\set stemLeftBeamCount = #1 \set stemRightBeamCount = #1 }
Rests = {\override Rest #'transparent = ##t}
OctBass = {#(set-octavation -1)}
EndOct = {#(set-octavation 0)}
XHead = { \override NoteHead #'style = #'cross }
NormHead = { \revert NoteHead #'style }
sfzppp = #(make-dynamic-script "sfzppp")
%see violaduets/144.ly for examples
OctA = {#(set-octavation 1) }%\set Staff.middleCPosition = #-13
OctAA = {#(set-octavation 2) }%\set Staff.middleCPosition = #-20
OctBass = {#(set-octavation -1)}
EndOct = {#(set-octavation 0)}
OttBrakY = #(define-music-function (parser location padOtt)
(number?)
#{\once \override Staff.OttavaBracket #'padding = $padOtt #})
%This allows manual adjustment of dynamic marker to avoid collision with octavation or other spanner markup
dynamicsXY = #(define-music-function (parser location offsetX offsetY)
(number? number?)
#{
\once \override DynamicText #'X-offset = $offsetX
\once \override DynamicLineSpanner #'Y-offset = $offsetY
#})
global= {
\time 2/4
\key c \major
}
#(set-global-staff-size 20)
\header
{
title = "Rippin Stitches"
piece = "Soprano Saxophone"
composer = "Qian Li"
}
\score {
<<
%rehearsal marks
\new MarkLine { \marks }
\keepWithTag #'flu \music
>>
\layout {
\context {
\type "Engraver_group"
\name "MarkLine"
\consists "Output_property_engraver"
\consists "Axis_group_engraver"
\consists "Mark_engraver"
\consists "Metronome_mark_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(4 . 0 )
}
\context {
\Score
\remove "Mark_engraver"
\remove "Metronome_mark_engraver"
\accepts "MarkLine"
\remove "Staff_collecting_engraver"
}
\context {
\Staff
\consists "Mark_engraver"
\consists "Staff_collecting_engraver"
}
}
}
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