That makes the tie how I want it, but I need to shift the middle notes to the right in the second measure to show that they are their own voice, whilst keeping the stems up. How could I do that?
Nick On Sat, Mar 19, 2011 at 10:02 PM, Stan Sanderson <[email protected]> wrote: > > On Mar 19, 2011, at 9:30 PM, Nicholas Moe wrote: > >> I am working on engraving an organ piece, César Franck's Cantabile. In >> the LH in mm. 16–17, the middle voice is tied, but the tie collides >> with the notes in the upper voice. Ideally, its shape and position >> should match the tie in the upper voice, only shifted down. How can I >> achieve this? >> >> Here is the tiny example: >> >> % begin example >> >> \version "2.13.54" >> >> \relative c' { >> \clef "bass" >> \voiceOne >> << >> { d1~ d2 c } >> \new Voice { >> \voiceThree >> \shiftOff >> a1~ >> \shiftOn >> a2 g >> } >> \new Voice { >> \voiceTwo >> d2\( f >> e2 e\) >> } >>>> >> } >> >> % end example >> >> Thanks, >> >> Nick > > > This is possibly not what you want, but it looks good to me. > use > <<{<d' a>1 ~ <d a>2 <c g>}\\{d,2( f e e)}>> > Stan > > > > _______________________________________________ lilypond-user mailing list [email protected] http://lists.gnu.org/mailman/listinfo/lilypond-user
