Am 05.05.2011 13:34, schrieb Peter Crighton:
Thank you very much! I adjusted the circle padding to 0 to prevent
overlapping in chords and even now it is not perfect, but you have to
look very close to see that. So it's good for me.
Good to hear!
But reverting the double stem doesn't work… although I suspect a
general \revert failure there, as I also noticed that reverting a stem
direction didn't work, so that I have to override it with up or down
accordingly.
Any clues why this is the case?
The example I sent to you worked perfectly for me, so perhaps the
\revert is in the wrong context?
I think it would be easier to find the culprit if you send a minimal
example.
Regards,
Marc
2011/5/5 Marc Hohl <[email protected] <mailto:[email protected]>>
Hello Peter,
Am 04.05.2011 20:05, schrieb Peter Crighton:
In 2.13.61 half notes in tab notation are distinguished from
quarter notes through a second stem.
Now I haven't seen this method before – it would seem natural
to me to draw a circle around the "tab note", the number, and
have only one stem like in normal notation.
The same would apply to whole notes, but of course without the
stem.
One may discuss about aesthetics, but I have seen this way of
displaying half notes and whole notes.
How can I achieve this kind of notation? Can I?
Yes! See the attached example. I tried to comment what I have done.
I is untested for working with harmonics - should the circle be
drawn around the fret number only,
or should it include the parentheses and the angle brackets?
In chords I would use a single circle (an ellipse, to be
correct) around all "tab notes" instead of drawing a circle
around every single one. This would be more difficult if
possible at all, I reckon, but it would be great to have this
possibility…
This is more difficult to implement, and, to be honest, I don't
know how.
HTH,
Marc
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