On Sun, Jul 03, 2011 at 11:27:25AM +0200, Robert Schmaus wrote:
> Hello fellow Lilyponderers,
>
> I'm currently typesetting a score for Bigband, i.e. lots of
> transposing instruments. I'm writing everything in concert pitch, so
> I can check everything with the midi output. My initial idea was
> that I would transpose the individual instruments into their desired
> key, once I have finished the concert pitch score.
>
> Recently, I discovered the \transposition command, and had hoped
> that this would actually be an elegant solution: still writing
> everything in concert pitch, but the engraver would set each voice
> in its correct key. So, in the example below, the Tenor would play
> the same note as the bass (modulo octave) but the notes for the
> Tenor would show d. The Midi file, however now has the tenor play
> b-flat.
> So, I still would have to write every instrument in its own key, but
> would have a correct midi output.
>
> My question is: is there an "inverse" command to \transposition,
> where I can write everything in concert pitch, s.t. the midi output
> will also remain in concert pitch, but the score is actually
> correct?
> An alternative would be to use the right \transpose command for each
> instrument but suppress all \transpose directives for the midi
> output - is that possible?
You only to combine "\transpose" and "\transposition" (see below).
> Thanks a lot.
> Have a nice sunday,
> Robert
>
>
> \version "2.14.1"
>
> Tenor = \relative c'' {
> \clef treble
> \transposition bes
\transpose c d {
> c c c c
}
> }
But see also my post of a few minutes ago (so that the key signature is
correct for the transposed voice).
Best,
Gilles
>
> Bass = \relative c {
> \clef bass
> c c c c
> }
>
> \score {
> <<
> \new Staff \Tenor
> \new Staff \Bass
> >>
> \layout{}
> \midi{}
> }
>
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