Ex.1 is a satisfactory rendering, coded in two voices. Ex.2, 3 and 4 are attempts using three voices, all horribly misaligned.
\version "2.14.1"
\pointAndClickOff
\score {
\new Staff {
\clef bass \key c \major \time 4/4
\set Staff.instrumentName = "Ex.1"
<<
\new Voice { \voiceOne s1 \once \override NoteColumn
#'force-hshift = #0.3 e2 \once \override Tie #'Y-offset = #'1.2 f ~
\once \override NoteColumn #'force-hshift = #0.5 f e }
\new Voice { \voiceTwo <a^~ c_~ f,_~>1 <a c f,> <g c c,> }
>>
}
}
\score {
\new Staff {
\clef bass \key c \major \time 4/4
\set Staff.instrumentName = "Ex.2"
<<
\new Voice { \voiceOne s1 \once \override NoteColumn
#'force-hshift = #0.5 e2 f ~ \once \override NoteColumn #'force-hshift =
#0.5 f e }
\new Voice { \voiceTwo a1 ^~ a g }
\new Voice { \voiceTwo <c f,>1 ~ <c f,> <c c,> }
>>
}
}
\score {
\new Staff {
\clef bass \key c \major \time 4/4
\set Staff.instrumentName = "Ex.3"
<<
\new Voice { \voiceOne s1 \once \override NoteColumn
#'force-hshift = #0.5 e2 f ~ \once \override NoteColumn #'force-hshift =
#0.5 f e }
\new Voice { \voiceTwo a1 ^~ a g }
\new Voice { \voiceFour <c f,>1 ~ <c f,> <c c,> }
>>
}
}
\score {
\new Staff {
\clef bass \key c \major \time 4/4
\set Staff.instrumentName = "Ex.4"
<<
\new Voice { \voiceOne s1 \voiceThree \once \override NoteColumn
#'force-hshift = #0.5 e2 f ~ f e }
\new Voice { \voiceTwo a1 ^~ a g }
\new Voice { \voiceFour <c f,>1 ~ <c f,> <c c,> }
>>
}
}
--
Hilary Snaden
test5.pdf
Description: Adobe PDF document
_______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
