Alan McConnell <alan <at> patriot.net> writes:
> Bottom line: the accidentals in a non-traditional key signature
> have still got to cover all the octaves! Otherwise great
> confusion ensues.
>
You might be happier working with a _traditional_ key signature, then,
and simply use a different mode (in the style of dorian mode, etc.)
wholetone = #`(
(0 . ,NATURAL)
(1 . ,NATURAL)
(2 . ,NATURAL)
(3 . ,SHARP)
(4 . ,NATURAL) ; possibly omit the fifth
(5 . ,FLAT)
(6 . ,FLAT)
)
\relative c' {\key c\wholetone c d e fis aes bes c d e fis aes bes}
If you want the sharps to print before the flats, insert a
\set Score.keyAlterationOrder = #`(
(3 . ,SHARP) (0 . ,SHARP) (4 . ,SHARP) (1 . ,SHARP)
(5 . ,SHARP) (2 . ,SHARP) (6 . ,SHARP)
(6 . ,FLAT) (2 . ,FLAT) (5 . ,FLAT) (1 . ,FLAT)
(4 . ,FLAT) (0 . ,FLAT) (3 . ,FLAT)
)
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