On 06/01/12 19:33, Werner LEMBERG wrote:
Moving the engraver to the voice context gives rise to a new set of problems:Good idea, thanks, but this completely prevents alignment of dots.No no, dots in a chord, within one voice, are still aligned.OK.Remember that dots are not supposed to be aligned between separate voices[1].Interesting. However, if the dots' distances are not too far away from the stem, the excellent Bärenreiter edition of the Bach Chaconne *does* align them, even if they are in different voices. Note that this is a manually engraved edition from 1959 or so.LilyPond is wrong to align dots from different voices, but doing so helps her handle the cases where note-heads collide between opposite-stemmed voices. If you are still working on the Bach Partita, then to my eyes Dot_columns for each voice gives a *much* better result.
\version "2.15.23"
\score {
\new Staff {
\relative c'' {
<<
{ <a e'>4. }
\\
{ <g cis,>4. }
>>
}
}
}
\score {
\new Staff {
\relative c'' {
<<
{ <a e'>4. }
\\
{ <g cis,>4. }
>>
}
}
\layout {
\context {
\Staff
\remove "Dot_column_engraver"
}
\context {
\Voice
\consists "Dot_column_engraver"
}
}
}
<<attachment: test.png>>
_______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
