Thomas Morley <[email protected]> writes:
> I am interpreting the upper staff as two voices, one with the half
> note and the other with a series of eights in 7/8.
> This is what I've coded for the measure (inside a relative c'):
>
>
>
> |%4
> \time 7/8
> <<
> \voiceOne {
> a,2 s8 s s
> }
> \voiceTwo {
> a,8[ b] c d e f g
> }
> >>
This is not two voices. It is a single voice with parallel music in
it. \voiceTwo, as the latter of two settings in this single voice, will
likely win. If you want to use multiple voices, either use \\ or
explicit voices.
--
David Kastrup
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