Mr. Kastrup: Following your suggestion, the code for "/rN.ly" was included in the coding of the piece for which I was doing the harmonic analysis. It work easily. And its inclusion brought up two additional questions. I wanted to query the contributor, "MS," yet the e-mail address was withheld.
1. Since the symbols are connected, by Lyric mode, to the pitches in the bass, how can harmonies that change without a change in the bass be identified, e.g., another voice moves to create a "7th?" 2. Sometimes the bass moves yet the harmony does not, e.g., bass has a "passing" tone. How can a "blank" be put in under that pitch? Thank you for your kind attention. Mark Stephen Mrotek -----Original Message----- From: [email protected] [mailto:[email protected]] On Behalf Of David Kastrup Sent: Saturday, December 08, 2012 10:37 PM To: [email protected] Subject: Re: Harmonic Analysis David Nalesnik <[email protected]> writes: > Hi Mark, > > On Sat, Dec 8, 2012 at 7:29 PM, Mark Stephen Mrotek > <[email protected]> wrote: > >> The function for creating Roman numerals for harmonic analysis is >> given (at >> http://lsr.dsi.unimi.it/LSR/Item?id=710) as: > > Here I'd suggest that you use the (considerably) updated version of > this file found here: > http://www.mail-archive.com/[email protected]/msg69861/rN.ly Might be worth copying the second over the first? -- David Kastrup _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
