Thanks I can see that would work in rehearsals.
Working up a drum line is easier if each bar gets a number sequentially.
But writing up the drum sequence is only required once. (Usually) So I do
not think writing up a fully expanded manuscript for that is worth it. I
found penciling in each repeat bar number worked last time. Then just plug
steps into the drum sequencer. I may try the fully expanded manuscript yet.
Thanks for your advice.
Regards
Graham
On Mon, Feb 25, 2013 at 12:44 AM, Phil Holmes-2 [via Lilypond] <
[email protected]> wrote:
> ----- Original Message -----
> From: "Graham.Okely" <[hidden
> email]<http://user/SendEmail.jtp?type=node&node=141410&i=0>>
>
> To: <[hidden email] <http://user/SendEmail.jtp?type=node&node=141410&i=1>>
>
> Sent: Sunday, February 24, 2013 9:22 AM
> Subject: Advice on bar numbers
>
>
> >
> > I have a manuscript with some repeats and a first and second time bar.
> >
> > I want to arrange a drum line in my drum machine.
> >
> > To line up the bars between the manuscript and the drum machine it helps
> > to
> > have all the bars numbered. These commands work fine:
> > \set Score.currentBarNumber = #2
> > \override Score.BarNumber #'break-visibility = #'#(#f #t #t)
> >
> > But how do you add the correct bar number for each repeat?
> >
> > Yes I can set the bar numbers as they should be with \set
> > Score.currentBarNumber = #66
> > But what do I do when I have repeats and the bar numbers will be 43, 59
> > and
> > 84 over one bar?
> >
> > I could print the manuscript out fully with no repeats that would work.
> >
> > Are there any other ideas out there?
> >
> > Thanks
> > Graham
>
> Gould suggests either using a and b suffixes or continuing the numbers
> through the repeats, so there are no duplicated numbers. She points out
> this makes identifying specific bars simpler in rehearsal.
>
> See Alternative bar numbering in
> http://lilypond.org/doc/v2.17/Documentation/notation/bars#bar-numbers
>
> --
> Phil Holmes
>
>
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