Actually on closer inspection the Webern score I was referring does *not* have the same method of accidentals as the Universal edition of the Berg piece - accidentals are only omitted when a pitch is immediately repeated in the same octave (I think that's actually more readable especially when bars can be very long).
On 5 March 2013 11:05, David G <[email protected]> wrote: > I had been wondering that as well because I don't think it's all that > unusual, at least for early 20th century music (I have some Webern scores > printed in this way) but I couldn't see anything in the Lilypond > documentation. > > If anyone has any suggestions I would be grateful too! > > > On 2 March 2013 22:07, Joseph Rushton Wakeling < > [email protected]> wrote: > >> Hello all, >> >> Taking a look at Berg Op. 5 (see Sibelius-related discussion) I realized >> that it uses a slight variant of the "dodecaphonic" accidental style: every >> note has an accidental, but only for its _first_ appearance in the bar. >> >> Any advice on how to achieve this automatically? >> >> Thanks & best wishes, >> >> -- Joe >> >> ______________________________**_________________ >> lilypond-user mailing list >> [email protected] >> https://lists.gnu.org/mailman/**listinfo/lilypond-user<https://lists.gnu.org/mailman/listinfo/lilypond-user> >> > >
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