I believe this approach, especially for new users, is less abstract than defining a 'syntactic' octave position before entering real music. I think it's a good idea.
Jethro Werner LEMBERG (07 Mar 2013 @ 20:21)
One rationale is to stop the "distribution" of the information for the first pitch to potentially quite separate places, like being able to write \new Staff \relative { \key aes \major << % Voice one { c''2 aes4. bes8 } ... instead of the previous \new Staff \relative c'' { \key aes \major << % Voice one { c2 aes4. bes8 } ...For me, everything which leads to a better structure is a good thing, so I support this change. Werner
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