"[email protected]" <[email protected]> writes: > On 16 mars 2013, at 17:17, Kieren MacMillan > <[email protected]> wrote: >> >> 1. “I would like PDFs for the full score, vocal score, vocal >> book, and band parts for piano+bass+percussion." >> 2. "I would like ‘Generosity’ transposed down a tone.” >> 3. “In the opening number, I would like to cut mm. 101-117, and >> have mm. 212-213 made into a vamp (i.e., with repeat signs and the >> word ‘vamp, cont. on vox’ written above).” >> >> This email is to determine to what degree these are possible now, or >> might be possible in the future. >> >> In particular, I'm interested in #3, since it could more seriously >> impact the way I organize the input code. (For #1 and #2, it's >> mostly just figuring out and perfecting the infrastructure for >> on-demand printing — nontrivial, to be sure, but mostly >> post-input-code.) > > I use tags with absolute note entry for this sorta thing all the time.
Why would you need absolute note entry? Usually \relative has done its deed before you excise tags. -- David Kastrup _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
