In the second bar, the filling in of the merged notehead on the half note is avoided if you rearrange the music to put the merged notes in the voices that are implicitly voiceOne and VoiceTwo:

\relative c''{ <<

\mergeDifferentlyHeadedOn

\mergeDifferentlyDottedOn

{

c8 d e d c d c4

e,8 a b c fis2

} \\ {

c2 c8. b16 c4

e,2 r

} \\ {

    s1

g'2 d

}

>>
}

<<attachment: lily-bb84e445.png>>

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