David Kastrup <[email protected]> writes: > Alan McConnell <[email protected]> writes: > >> On Tue, Sep 17, 2013 at 12:50:54AM +0200, Janek Warchoł wrote: >>> 2013/9/17 Alan McConnell <[email protected]>: >>> > On Mon, Sep 16, 2013 at 11:21:43PM +0200, Janek Warchoł wrote: >>> >> >>> >> Please send us a short and compilable example and we'll try to tell >>> >> you what exactly needs to be done. Without an example, i have no idea >>> >> why Phil's solution wouldn't work for you. >>> > >>> > Nothing easier! Here it is [...] >>> >>> Nothing easier! Here the second barline disappears (tested with >>> 2.16.2 and 2.17.26) >> <LOL> You are absolutely right! However: try this > >> >> d4. e8 d c | b4 g g4. \bar "" a8 d,4 d | b' g g \bar "|." > > Bad timing. You are too late for overriding the bar. I have not yet > seen the trivial ugly correction for that yet, namely > > d4. e8 d c | b4 g << g4. { \skip 4 \bar "" } >> a8 d,4 d | b' g g \bar "|." > > which lets the \bar "" command fall at the right time.
Oh, at any rate: have you considered Renaissance barlines? They are pretty much intended for dealing gracefully with that kind of music. <URL:http://lilypond.org/doc/v2.16/Documentation/notation/working-with-ancient-music_002d_002dscenarios-and-solutions#mensurstriche-layout> -- David Kastrup _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
