Am 23.09.2013 14:03, schrieb David Kastrup:
Urs Liska <[email protected]> writes:
Hi list,
could someone be so kind as to give me some _very_ short descriptions
of the eight accordion glyphs that can be seen in the table at the
beginning of
http://lilypondblog.org/wp-content/uploads/2013/09/accordion-glyphs-definition.pdf?
They should be as short as to be fitting where now the "description"
dummy is.
You are missing \accordionPush here.
Duh, it's RTFM
"The end of the definition is indicated by an empty line, therefore it
is important that your file ends with an empty line, otherwise the last
entry will be discarded."
Guess who wrote that FM?
<bang-head-against-wall>Arrrrrgh</bang-head-against-wall>
Seriously, this means I have to finally fix that script to work reliably!
\accordionDiscant, \accordionFreeBass, \accordionStdBass are used in
conjunction with \accordionDot to assemble registration symbols for
discant registers, free bass registers, and standard bass registers
respectively. \accordionPush and \accordionPull are usually used above
the staff to indicate change of bellow direction. I don't know who
would know how to use \accordionBayanBass (with dots? or numbers?), and
\accordionOldEE is a total mystery to me.
Thanks. If nobody comes up with a better explanation of the last two
items I will invent something ;-)
Best
Urs
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