Am 07.10.2013 16:55, schrieb Kieren MacMillan:
Hello all,
I've got a piece in which the key centres move thusly:
E major --> F minor --> A major --> F major --> E major
I need to transpose it up a few pitches, as it was originally written for
medium voice, but is going to be sung by a high[er] tenor.
\transpose e g ==> G major --> G# minor (= B major) --> C major --> Ab
major --> G major
would be great… except what's actually happening is
\transpose e g ==> G major --> Ab minor (= Cb major, with 7 flats!!!) --> C
major --> Ab major --> G major.
Is there any way (like the "naturalizeMusic" function for individual notes) to ensure
that the key signatures in a transposed piece are the "most logical"?
Thanks,
Kieren.
Not that I know of. And from my experience "naturalizeMusic" is a very
bad idea for that purpose.
Do these articles help you any further:
http://lilypondblog.org/2013/06/transposition-with-enharmonic-changes-part-1/
(follow-ups linked in text)
?
Urs
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