On 09.11.2013, at 21:06, Frederick Bartlett <[email protected]>
wrote:
> Urs,
>
> Thanks for that; I have been putting spacers everywhere. But now I have a new
> problem: My wife just asked me (she's the musician, I'm just the engraver) to
> transpose the piece up a half step. So, I put a \transpose c des {} around
> every voice and changed the \key in my \global to des\major.
Frederick,
Don't change the key to des\major. \transpose c des {} will do it for you.
>
> Now, in my first bar (which has an appoggiatura), the key signature shows up
> on the third beat (literally 'on': it's superimposed over the notes), even
> though I have the spacers everywhere. This snippet shows most of the
> problems, though not the superimposition, and the key signature comes after
> the appoggiatura instead of on the third beat of the measure:
>
> \version "2.16"
>
> \book {
> \score {
> \new Staff = "treble" <<
> \new Voice = "treble1" <<
> \key des\major
> \time 4/4
> \transpose c des { \relative c''' {
> << { \appoggiatura { g16 ([a] } g2 g ) } \\ { \appoggiatura { s8 } e2 e} >> |
> }}
> >>
> >>
> \layout {
> }
> }
> }
>
There is no need for temporary polyphony here. This solution is easier:
\version "2.16"
\book {
\score {
\new Staff = "treble" <<
\new Voice = "treble1" <<
\transpose c des {
\key c\major
\time 4/4
\relative c''' {
\slurUp
\appoggiatura { g16 ([a] } <e g>2 <e g> ) } |%1
}
>>
>>
\layout {
}
}
}
hth
patrick
> While the snippet shows the problem it doesn't show the rather uninformative
> message I get when engraving the larger piece:
> Preprocessing graphical objects...
> programming error: Object is not a markup.
> continuing, cross fingers
> I guess I should look up debugging options ....
>
> Thanks again,
> Fred
>
>
>
> On 9 November 2013 14:23, Urs Liska <[email protected]> wrote:
> It is a common problem.
> You have to put an appogiatura with spacer rests in all voices.
>
> Hth
> Urs
>
>
>
> Frederick Bartlett <[email protected]> schrieb:
> I'm running Lilypond 2.16.2 inside Frescobaldi 2.0.10 on Fedora 19.
>
> This gives two 'C' time signatures, one before and one after the appoggiatura:
>
> \version "2.16"
>
> \book {
> \score {
> \new Staff = "treble" <<
> \new Voice = "treble1" <<
> \key c\major
> \time 4/4
> \relative c''' {
> << { \appoggiatura { g16 ([a] } g1) } \\ { <g e>1} >> |
> }
> >>
> >>
> \layout {
> }
> }
> }
>
> If I comment out the \time 4/4, I get only one 'C', in the usual place.
>
> If I change the \time to 3/4 (and the note values to 2.), then I get a 'C'
> before the appoggiatura and a '3/4' after.
>
> Is this a known bug? I couldn't find it, though I did see discussions of
> problems with appoggiaturi and bar lines in general ...
>
> Thanks!
> Fred
>
> --
> “To my knowledge I have no knowledge.” -- John Kerry, the Secretary of State
> of the United States of America, in response to Senator Barbara Boxer, 3 Sep
> 2013
>
>
> lilypond-user mailing list
> [email protected]
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>
>
>
>
> --
> “To my knowledge I have no knowledge.” -- John Kerry, the Secretary of State
> of the United States of America, in response to Senator Barbara Boxer, 3 Sep
> 2013
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