Am 07.08.2014 15:08, schrieb Alex Loomis:
In my copy of Dvorak 8 the parts use a2 for isolated unison passages and double
stems for passages where the voices are also split at some point.
Oh, I didn't think of that possibility. I'll check to see if it makes
sense. At least it sounds reasonable.
Thanks for the report (my pocket scores aren't at home that's why I
didn#t look myself).
Urs
On Aug 7, 2014, at 8:49 AM, Urs Liska <[email protected]> wrote:
Hi folks,
I have a large romantic score in front of me. In the handwritten score the \partcombine
stuff is done inconsistently for unisono sections: sometimes it's written as one voice
with "à 2", sometimes as two voices, i.e. one notehead with stems up and down.
So far I can't see any reason for this inconsistency.
What would people with more experience with orchestral scores suggest:
- transcribe everything as it is in the model?
- make it consistent:
- use "à 2" always?
- use voices always?
Best
Urs
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