On Sat, 2014-10-04 at 09:57 +0000, Helena K. wrote: > Hi, > it is from Joseph Umstatt - early classic. The manuscript not digitized > and it is from one monastary collection - I can't publish it all. Rather - > if I manage to finish it, the whole score will be published in Juny for > free (maybe IMSLP too). > > There are seventh as well as 1/8th note rests.
I guess you meant to write "there are seventh chords as well as 1/8th note rests"? Unfortunately the scans you provided don't give (much?) evidence of seventh chords distinguishable from "1/8th" rests, and all the places where the "1/8th rest" occurs sound like places where a seventh chord might be found - difficult to say without seeing what the other parts are doing at those points in the music. My guess, based admittedly on partial evidence, is that these are in fact intended as indications of a seventh chord, not some sort of Tasto Solo indication or ... After all, a player of the period would have had as much difficulty distinguishing that symbol from a 7 as we have after studying the handwriting style. HTH Richard > > The first example is the second part of the symphony and the second one is > the end of recitative 1 (alto) and start recitative 2 (canto). > > http://www.imgup.cz/image/gfx > http://www.imgup.cz/image/gfW > > Can I add only any "symbol" (here symbol of 1/8th note rest)? > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user