Hi Stephan
I think it's a matter of finding the least-ugly arrangement which make it clear
to the pianist what is intended. Perhaps lower the beams slight and move the
tuplet brackets up a little to make room for the ties. You could reshape the
ties a little, but I don't think this improves it much. Play with this:
\version "2.18.2"
first = {
% \shape #'((0 . 0) (0 . 0.5) (0 . 0.5) (0 . 0)) Tie
cis''''1 ~ cis''''1 ~ cis''''\fermata \bar"|." }
second = {
\voiceTwo s2
\voiceThree
\override TupletBracket padding = 1.7
\override Beam positions = #'(4.8 . 4.8)
\tuplet 3/2 { a'''8 a''' a''' } \tuplet 3/2 { a'''\rest[
a''' a'''\rest] }
d''4\rest \tuplet 3/2 { e'''8\rest a''' a''' } \tuplet 3/2 { a'''[
a'''\rest a'''] } e'''4\rest
}
third = { \ottava #1 \voiceThree f'''2 \rest \voiceFour fis'''2
~ fis'''1 ~ fis'''\fermata }
alltogether = {
<< { \voiceOne \first } \new Voice { \second } \new Voice { \third }
\new Voice { \voiceFour \transpose c' c \first } >> \oneVoice
}
\score {
\new Staff \alltogether
}
----- Original Message -----
From: Stefan Thomas
To: lilypond-user
Sent: Sunday, January 25, 2015 8:46 AM
Subject: staff polyphony, collisions between ties and beams
Dear community,
I find it difficult to engrave the following three bars.
How can I avoid collisions between beams and ties?
Here is the snippet:
\version "2.18.2"
first = { cis''''1 ~ cis''''1 ~ cis''''\fermata \bar"|." }
second = {
\voiceTwo s2
\voiceThree \tuplet 3/2 { a'''8 a''' a''' } \tuplet 3/2 { a'''\rest[ a'''
a'''\rest] }
d''4\rest \tuplet 3/2 { e'''8\rest a''' a''' } \tuplet 3/2 { a'''[
a'''\rest a'''] } e'''4\rest
}
third = { \ottava #1 \voiceThree f'''2 \rest \voiceFour fis'''2 ~
fis'''1 ~ fis'''\fermata }
alltogether = {
<< { \voiceOne \first } \new Voice { \second } \new Voice { \third } \new
Voice { \voiceFour \transpose c' c \first } >> \oneVoice
}
\score {
\new Staff \alltogether
}
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