Dear All of you,
Thank you very much.
I'm richer with two types of solutions
One perfect copy http://lsr.di.unimi.it/LSR/Item?id=973
And another with not as complicated demands that Pierre suggested
http://www.lilypondforum.de/index.php?topic=1801.msg9962#msg9962
I attache it, for me it is more handy, suitable :-)
I'm going to offer my Hungarian friends who also waiting for some kind of
solution.
Thank you very much in deed!
Sister Judit
2015-01-29 3:43 GMT+01:00 Ali Cuota <[email protected]>:
> Dear Sr. Judit,
>
> I thought, there is some kind of reason like this one...
>
> Honestly, the conventional gregorian typo is almost self-explanatory,
> and has a very tough "spelling". I noticed this first when trying to
> use another (more lily-friendly than gregorian.ly) system.
> But nevertheless, I follow this thread and see if there is an
> automagic solution for your use.
>
> Cordially
>
> Franck
>
> 2015-01-28 18:48 GMT-05:00, Trevor Daniels <[email protected]>:
> > Hi
> >
> > Bad news, I'm afraid. There is no simple way to change the shape of the
> > note heads used in Gregorian ligatures (the things coded as \[ ... \]).
> > These ligatures are built up from a wide variety of glyphs in
> > Vaticana_ligature_engraver.cc. The whole ligature is then treated as a
> > single graphical object so the spacing of its components is not affected
> by
> > changes in layout. The same applies to Mensural notation.
> >
> > The work done by Pierre is an excellent start, but as he acknowledged
> it's
> > not easy to use. If this could be coupled with a suitable input syntax
> > which could be interpreted by a music function to invoke the new grobs he
> > defined it would be much more usable. As a final stage that could be
> > converted into a new engraver. But that is quite a lot of work.
> >
> > Sorry this is not much help.
> >
> > Trevor
> >
> > ----- Original Message -----
> > From: Rita Composer
> > To: Pierre Perol-Schneider
> > Cc: [email protected] ; [email protected]
> > Sent: Wednesday, January 28, 2015 8:24 PM
> > Subject: Re: Hungarian Gregorian
> >
> >
> > Hi,
> >
> >
> > Wow, that looks perfect :-)
> > My little problem, is that it seems very complicated to me to creat/
> > edit...
> >
> >
> > I was wandering, that could you override melisma setting?
> > Because I have problem with the shape of the notes.
> > (I don't know the name of this \[ g a h c \] )
> >
> >
> > I could solve the 5th line, we can override stem.
> > I hope it's possible, and I don't have to deal with so complicated
> > adjusting.
> >
> >
> > Here is my example again. Where it would be great to change the shape
> of
> > the classical gregorian notes.
> >
> >
> > Thanks
> > Sister Judit
> >
> >
> > chantEgy = \relative c' {
> > \override NoteHead.style = #'default
> >
> > \[ g a h c \]
> >
> > c h a g \divisioMinima
> >
> > \[ h4 \virga a g \] d' c h a g \divisioMinima
> >
> > \finalis
> >
> > }
> >
> > verba = \lyricmode {
> >
> > Lo -- _ _ _ rem ip -- sum do -- lor _ _ sit a -- men a -- men
> >
> > }
> >
> > \markup { 3 }
> >
> > \score {
> >
> > \new VaticanaStaff <<
> >
> > \override VaticanaStaff.StaffSymbol #'line-count = #5
> >
> > \new VaticanaVoice = "melody" \chantEgy
> >
> > % \new VaticanaVoice = "melody" \chantKettő
> >
> > \new Lyrics = "one" \lyricsto melody \verba
> >
> > >>
> >
> > \layout {
> >
> > \context {
> >
> > \VaticanaStaff
> >
> > \override StaffSymbol.color = #black
> >
> > \override LedgerLineSpanner.color = #black
> >
> > }
> >
> > }
> >
> > }
> >
> >
> >
> > 2015-01-28 17:36 GMT+01:00 Pierre Perol-Schneider
> > <[email protected]>:
> >
> > <please respond to the list>
> >
> >
> > Hi Sister Judith,
> >
> >
> > Yes, you're right - not so much time though, interesting time I
> should
> > say!
> >
> > I've added a draft to the LSR :
> http://lsr.di.unimi.it/LSR/Item?id=973
> >
> > Stems and ornaments have been changed into other characters.
> >
> > Glad you loke it.
> >
> >
> > Cheers,
> > Pierre
> >
> >
> >
> > 2015-01-28 17:26 GMT+01:00 Rita Composer <[email protected]>:
> >
> > Wow, thank you so much!!!
> >
> >
> > The layout/ view is almost perfect :-)
> >
> > The curved "stems" are a bit too far from the notes.
> >
> >
> > Am I right that you used signs instead of notes?
> >
> > You must have been spending quite much time to do. (for me it
> seems a
> > bit complicated at the moment...I try to get used to it)
> >
> >
> > Thank you very much!
> >
> > Sister Judit
> >
> >
> >
> > 2015-01-28 15:48 GMT+01:00 Pierre Perol-Schneider
> > <[email protected]>:
> >
> > Hi,
> >
> >
> > First of all, I have to admit that I know almost nothing about
> those
> > type of chants.
> >
> > Anyway...
> >
> > AFAIK, there is no predefined context or commands that will do -
> > exactly - such scores.
> > I've done something similar on the german forum :
> > http://www.lilypondforum.de/index.php?topic=1801.msg9962#msg9962
> >
> > The main idea was to put one voice per grouped note.
> >
> >
> > In your particular case it does not seem to be a good idea; So
> > please find attached a compilable file :
> >
> > 1. I've tried to stick as much as possible to your original pdf.
> >
> > 2. the idea was to change the note heads stencil with grouped
> notes
> > - with or without stems, spaces and/or ornaments.
> >
> > 3. not easy...
> >
> >
> > Hope you'll find better and/or easier solution.
> >
> >
> > Cheers,
> >
> > Pierre
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> ------------------------------------------------------------------------------
> >
> >
> > _______________________________________________
> > lilypond-user mailing list
> > [email protected]
> > https://lists.gnu.org/mailman/listinfo/lilypond-user
> >
>
\version "2.16.2"
\language "deutsch"
\paper {
left-margin = 20
}
omitStem = \override Stem #'stencil = ##f
showStem = \revert Stem #'stencil
notePos =
#(define-music-function (parser location note-column) (number?)
#{
\override NoteColumn #'force-hshift = #note-column
#})
left = {
\once\override LyricText #'X-offset = #-4
}
global = {
\key f\major
\cadenzaOn
}
myLyrics = \lyricmode {
\left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "K " "A" }
- gnus De -- i,
\left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "A " "qui" }
tol -- lis pec -- cá -- ta
mun -- di:
mi -- se -- re -- re _ no -- bis.
\left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "K " "A" }
-- gnus De - i,
\left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "A " "qui" }
tol -- lis pec -- cá -- ta
mun -- di:
mi -- se -- re -- re _ no -- bis.
\left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "K " "A" }
-- gnus De - i,
\left\markup { \magnify #1.3 \with-color #(x11-color 'grey) "A " "qui" }
tol -- lis pec -- cá -- ta
mun -- di:
do -- na no -- bis _ pa -- cem.
}
myVoiceOne = \relative f' {
\notePos #0
\omitStem f4 \showStem \stemDown g \omitStem g f f
\bar "'"
\once\override Score.RehearsalMark #'padding = #-2
f4 \showStem f d \omitStem d c d f f
\once\override Staff.BarLine #'bar-extent = #'(-1 . 1)
\bar "|"
s8
\bar "" \break
\override Score.Clef #' stencil = ##f
f4 g a g a f f
\bar "||"
f4 a \showStem c \omitStem c c
\bar "'"
s8
c4 \showStem a \omitStem f
\bar "" \break
g f g f f
\once\override Staff.BarLine #'bar-extent = #'(-1 . 1)
\bar "|"
f4 g a
g a f f
\bar "||"
\omitStem f4 \showStem \stemDown g \omitStem g f f
\once\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\once\override Score.RehearsalMark #'extra-offset = #'(-1 . 5.1)
\mark\markup\draw-line #'(0 . 1)
\bar "" \break
\once\override Score.RehearsalMark #'padding = #-2
f4 \showStem f d \omitStem d c d f f
\once\override Staff.BarLine #'bar-extent = #'(-1 . 1)
\bar "|"
s8
\override Score.Clef #' stencil = ##f
f4 g a g a f f
\bar "||"
}
myVoiceTwo = \relative g' {
\notePos #.9 \omitStem g4 f a
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
s2
\showStem \stemUp
\once\override NoteHead #'stem-attachment = #'(-.8 . -.5)
\once\override Stem #'length = #3
\notePos #.9 d4 \omitStem c s s f
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
s8 s2 a4 s
<<
{
\notePos #.9 \omitStem b
} \\
{
\notePos #1.8 \omitStem a
} \\
{
\notePos #2.7 \omitStem g
}
>>
s
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
s2 c'4
<<
{
\notePos #.9 \omitStem a
} \\
{
\notePos #1.8 \omitStem g
}
>>
s2 s8 s4
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem a
}
>>
s4 s s a
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
s4 s a s
<<
{
\notePos #.9 \omitStem b
} \\
{
\notePos #1.8 \omitStem a
} \\
{
\notePos #2.7 \omitStem g
}
>>
s4
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
s4
\notePos #.9 \omitStem g4 f a
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
s2
\showStem \stemUp
\once\override NoteHead #'stem-attachment = #'(-.8 . -.5)
\once\override Stem #'length = #3
\notePos #.9 d4 \omitStem c s s f
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
s8 s2 a4 s
<<
{
\notePos #.9 \omitStem b
} \\
{
\notePos #1.8 \omitStem a
} \\
{
\notePos #2.7 \omitStem g
}
>>
s
<<
{
\notePos #.9 \omitStem g
} \\
{
\notePos #1.8 \omitStem f
}
>>
}
\score {
<<
\new Staff <<
\global
\context Voice = "Melodie" { \voiceOne << \myVoiceOne >> }
\context Voice = "Vokalis" { \voiceTwo << \myVoiceTwo >> }
>>
\new Lyrics \lyricsto "Melodie" \myLyrics
>>
\layout {
indent = 0
\context {
\Staff
\override TimeSignature #'transparent = ##t
}
\context {
\Score
\override RehearsalMark #'direction = #DOWN
}
}
}
Gespeichert
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