On 17/10/01 at 9:26 pm, Lingo-L Digest <[EMAIL PROTECTED]> wrote:

> oh im sorry i stand corrected  well hey if you put a still in the editor its
> a still   a still can be a graphic image repeated,, its video that comes out
> the other end  after rendering  pal or ntsc what ever avi qt rm mpg but im
> not using anologue for some years now hmmm bought a walt disney video the
> other day was that non video content

Well the quickest way I could say 'non flat color type content' was 'video'. Apologies 
for the confusion.

BTW, I think Sorenson is just fine. Much of the codec/quality discussions are quite 
subjective and often laced with politics. I'm doing a largish project with Sorenson 
right now and I'm quite happy with the performance and quality. The point is that 
codec technologies are getting better all the time, and it's not easy to be sure that 
you are always using the 'best', even if it was the best last month.

> the site was intersting thank you b:) i guess it depends on weather your
> streaming or just looking for quality  with good file sizes,  i imagine your
> not a mac fan  the bit rate for thet est was a bit high and the reslution is
> like high bandwidth  (waits half an hour while it tries to stream from mega
> server)  small is beautiful

On the contrary, I am a keen Mac user, but sometimes you have to admit the competition 
is delivering a better product, and right now, WMV has the best codec for web 
streaming. This will probably change within a couple of months. In any case, Quicktime 
is already closer to an implementation of MPEG4 than any other product on the market, 
so I'm gunning for that. 

Most people think that MPEG4 is just a video codec, and Microsoft has done much to 
perpetuate this misunderstanding by releasing proprietary video codecs called 'MPEG4'. 
In fact, MPEG4 is a more complex beast. it's based on the principle of 'elemental' 
compression. In other words, you should compress scrolling text in a different way 
than you compress talking heads. Spoken word should be compressed differently to rock 
music and so on. That way, you can have a decent stock ticker overlaid legibly on a 
newscaster talking head even in low bandwidth conditions. Of the 'big three' 
architectures, only Quicktime has existing and established mechanisms to do this 
today. This same design also allows alternate tracks to be used transparently in 
different contexts.

> SMIL is perfect for presentations audio visual with supplying alternatives
> ie text or audio descripters for access for all  runs on real player and i
> guess the irony of it is that real player was authored in flash  [i think]

SMIL also runs in Quicktime. SMIL is especially cool when you generate it dynamically 
according to cgi requests. You can make a SMIL editor in Director with the fileIO and 
Quicktime Xtras.

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