> From: Mathieu ONeil <[email protected]> > To: Fibre Culture <[email protected]> > Date: Mon, 16 Sep 2013 23:56:18 +0000 > Subject: ::fibreculture:: CFP - "Peer production, disruption and the law"
CFP - Special issue of the 'Journal of Peer Production' (JoPP) "Peer production, disruption and the law" Editors: Steve Collins, Macquarie University and Angela Daly, Swinburne University of Technology The disruption caused by new technologies and non-conventional methods of organisation have posed challenges for the law, confronting regulators with the need to balance justice with powerful interests. Experience from the "disruptions" of the late 20th century has shown that the response from incumbent industries can lead to a period of intense litigation and lobbying for laws that will maintain the status quo. For example, following its "Napster moment", the music industry fought to maintain its grip on distribution channels through increased copyright enforcement and the longer copyright terms it managed to extract from the legislative process. The newspaper industry has similarly seen its historical revenue stream of classified ads disrupted by more efficient online listings, and responded to its own failure to capitalise on online advertising by launching legal campaigns against Google News in various European countries. Though the law as it stands may not be well-equipped to deal with disruptive episodes, the technological innovations of the last twenty years have created an environment that generates disruption. The Internet, the Web and networked personal computers have converged into the ubiquitous post-PC media device, leaving twentieth century paradigms of production, consumption and distribution under considerable threat. The latest technology to be added to this group of disruptive innovations may be 3D- printing, which in recent times has become increasingly available and accessible to users in developed economies, whilst the manufacturing capacity of 3D-printers has dramatically grown. Although current offerings on the market are far from a Star Trek-like "replicator", the spectre of disruption has once again arrived, with the prospect of 3D-printed guns inspiring a moral panic and raising questions of gun control, regulation, jurisdiction and effective control. In addition, 3D-printing raises a number of issues regarding intellectual property, going far beyond the copyright problems that file-sharing brought about due to its production of physical objects. This special issue of the Journal of Peer Production calls for papers that deal with the intersection of peer production, disruptive technologies and the law. Potential topics include, but are not restricted to: - The threat posed by peer production to legacy industries - The regulation of disruptive technologies through the rule of law or embedded rights management - Lobbying strategies of incumbent players to stymie disruptive technologies - Emergent economies or practices as a result of disruptive technologies - Extra-legal norm formation in peer production communities around disruptive technologies - Historical perspectives on the legal status of collaborative projects - Critical legal approaches to technology, disruption and peer production - The role and ability of the law (which differs across jurisdictions) in regulating autonomous production - The resilience of law in the face of social and technological change - The theories and assumptions which continue to underpin laws rendered obsolete by social and technological change 500-word abstracts are due by 15th November 2013 and should be sent to [email protected]. Accepted submissions will be notified during December 2013 and full papers are due by 12th May 2014. The issue will be published in January 2015. Submissions will be peer reviewed according to JoPP review policies. See <http://peerproduction.net/about/submissions/> for article types and guidelines. -- http://peerproduction.net/about/mission-statement Mission Statement The Journal of Peer Production (JoPP) seeks high-quality contributions from researchers and practitioners of peer production. We understand peer production as a mode of commons-based and oriented production in which participation is voluntary and predicated on the self- selection of tasks. Notable examples are the collaborative development of Free Software projects and of the Wikipedia online encyclopedia. Through the analysis of the forms, operations, and contradictions of peer producing communities in contemporary capitalist society, the journal aims to open up new perspectives on the implications of peer production for social change. Topics of interest include, but are not limited to: - the political economy of peer production - peer production and expertise - critical theory and peer production - peer production and exchange - peer production and social movements - peer production as an alternative to capitalism - peer production and capitalist cooptation - governance in peer projects - peer production and ethics - the peer production of hardware - peer production and feminism - peer production, industry and ecology Message sent using MelbPC WebMail Server _______________________________________________ Link mailing list [email protected] http://mailman.anu.edu.au/mailman/listinfo/link
