>Yes, but isn't it misleading if you hear the compressed signal and forget
>to compress the original data, because you already hear it thus???
>Don't we (the audio enginieers) need a reliable way of monitoring (And I
>don't think my audio hardware is reliable enough...)?
The limiting/compression would happen only at editing time when it is
needed. The gain increase in editing fades of existing audio is much severe
than in EQ tuning, for example.
>better higlight it in an ugly colour to remind the engineer that he isn't
>hearing the original data
Good tip. I will put enough on/off buttons too.
Juhana
