On Wed, Apr 28, 2010 at 2:34 PM, Ralf Mardorf <[email protected]>wrote:
> > > Ralf Mardorf wrote: > >> Louigi Verona wrote: >> >>> Difficult to explain. let me draw: >>> >>> C5 is a note >>> >>> C5 _ _ _ _ _ _ _ >>> >>> A 3/16 would create this kind of echo: >>> >>> C5 _ _ c5 _ _ c5 _ >>> >>> On Wed, Apr 28, 2010 at 1:40 PM, Ralf Mardorf < >>> [email protected] <mailto:[email protected]>> wrote: >>> >>> None of the LADSPA ones I tried just give you a normal 3/16 delay. >>> >>> >>> What exactly do you mean with this? Are you talking about >>> triplets? Just use the calculator to find out how long a triplet >>> is regarding to the BPM and round the result to the available ms. >>> Or is 3 for left to center to right, for semiquavers? >>> >>> >> Please add your reply under the quote. >> >> You're talking about triplets, especially because you do dub music ;). >> >> This is possible. >> >> 60000/120BPM=500ms for a 1/4 note. E.g. 500ms/3=166.7ms for triplets, >> reps. 166.7ms/x or 166.7ms*x for other triplets. >> > > Resp. you aren't talking about triplets if e.g. one _ is for 1/8 note. Do > you wish to have a delay were not all delays do come at a steady note? > I am not sure guys what you are talking about. I understand that you can multiply something - this is very clear. You can even forget about plugins and just take the sound and paste it with a lower volume. I cannot always point a finger to what exactly i do not like about delays. CALF vintage delays is nice, but the fact that I can make it pan ping-pong only by setting different time in L and R is not good. And the whole Subdivide control is very confusing. In many simple VSTs you have 1, 2/4, 3/16 kinda settings and it is all tied to a tempo. Echoverse in Rakarrack is very good.
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