On Thu, Nov 04, 2010 at 04:07:22PM +0000, Victor Lazzarini wrote: > If you were at LAC in Parma, you'd have heard a 3-part strictly > invertible counterpoint fugue I wrote, used as > an example for some distortion synthesis instruments. Just a bit of fun.
right. and if joern would have been at lac, the streaming would have worked. /me wonders why the streaming worked :S > > Victor > On 4 Nov 2010, at 15:48, Jörn Nettingsmeier wrote: > > >On 11/04/2010 01:18 PM, Victor Lazzarini wrote: > >>Not to mention Jazz musicians, arrangers, Debussy, Ravel, > >>Stravinsky... > >>Sounds like a teutonic idea of Musik (sorry Joern...), rather than > >>anything else. > > > >of course it is. in strict counterpoint, parallel perfect consonances > >are streng verboten, on account of being unsanglich and straight out > >hässlich. > > > >and where would we be today if such eternal truths were open to > >dispute? > >oh, erm, wait, you mean people actually do that stuff these days? > > > >(three muses exeunt, mumbling something about tempora and mores...) > > > > > > > > _______________________________________________ > Linux-audio-dev mailing list > [email protected] > http://lists.linuxaudio.org/listinfo/linux-audio-dev -- torben Hohn _______________________________________________ Linux-audio-dev mailing list [email protected] http://lists.linuxaudio.org/listinfo/linux-audio-dev
