I wasn't referring to the arpeggiation (really, in TD's case, it's actually a 16 or 32 step analog sequencer) but the "chirping" sound right around 25:53 and becomes more obvious at 26:16 . You also used it around 14:08. "filter and a sequencer" sounds like a likely explanation.
Anyway, https://www.youtube.com/watch?v=E7t8eoA_1jQ On Fri, Apr 27, 2018 at 6:46 PM, Louigi Verona <louigi.ver...@gmail.com> wrote: > Hey everyone! > > Thank you for the kind words, I am very happy you are enjoying the > experience. > > Any and all sonic references to Tangerine Dream are always accidental, as > to this day I never listened to Tangerine Dream, although have skimmed > through several tunes after being told that some of my tunes that feature > arpeggiation seem to remind people of Tangerine Dream. Right now quickly > clicked through Rubicon on YouTube. Arpeggiation part in the end is not > bad, although a little outdated, I guess. > > I think the reason why some of my arpeggiating tunes remind people of > Tangerine Dream is that setting up an arpeggiating bassline as a backbone > of a tune and then putting things on top is an extremely simple idea that > many musicians come up with. As I do have a minialistic approach in my > music, it is possible that it sounds similar to what they did back in the > day. Either way, Tangerine Dream has never been part of my musical diet, > but I don't mind people hearing these unintentional references, this is > always very interesting. > > As to the part at 26 minute, I think this is a pad loop that I played > through Kluppe sent through a chain of CamelSpace ran though Festige and > then through Rakarrack, powered by an almost 100% wet signal Long Reverb of > the reverb module. The "watery" feeling is created by CamelSpace, which > provides a filter and a sequencer which is capable of gating and changing > the cutoff frequency value. An incredible VST plugin, although I actually > rarely use it for ambient. > > So, a mix of Linux and VST technology here. But as far as I remember, this > was probably the only non-Linux piece of tech I've used here. > > L.V. > > > > On Fri, Apr 27, 2018 at 9:07 PM, Paul Davis <p...@linuxaudiosystems.com> > wrote: > >> Love it. Especially love the (possibly accidental) sonic references to >> Rubicon (Tangerine Dream) e.g. at about the 26 minute mark. What is that? >> >> On Mon, Apr 23, 2018 at 5:16 AM, Louigi Verona <louigi.ver...@gmail.com> >> wrote: >> >>> Announcing a new release of project "droning", tune 281 "The Bay of >>> Atlantis". >>> >>> *Stream it here:* https://louigi.bandcamp.com/al >>> bum/281-the-bay-of-atlantis >>> >>> *Word from the author:* >>> >>> Extensive work went into this creation. >>> >>> I wanted the tune to create a feeling that this is one solid >>> composition, not a soundtrack with distinct segments, but something rather >>> like an ocean which is in one instance is calm and in the other - furious. >>> But still just one single ocean. >>> >>> To all of you travelers out there, and to those of us who find visiting >>> nonexistent places important. >>> >>> >>> *Technical specs:* Qtractor, Rakarrack, Carla, Kluppe, seq24 and a >>> number of LV2 plugins. Zyn is used, although a number of sounds came from >>> other sources. >>> >>> >>> -- >>> Louigi Verona >>> https://www.patreon.com/droning >>> https://louigiverona.com/ >>> >>> _______________________________________________ >>> Linux-audio-dev mailing list >>> Linux-audio-dev@lists.linuxaudio.org >>> https://lists.linuxaudio.org/listinfo/linux-audio-dev >>> >>> >> > > > -- > Louigi Verona > https://www.patreon.com/droning > https://louigiverona.com/ >
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