Great to see several promising and useful projects mentioned
here!

On Thu, May 29, 2025, Erik Schoster wrote:
> 
> 
> On Thu, May 29, 2025, at 5:02 AM, Lorenzo Sutton wrote:
> > Hi LAU and LAD,
> > 
> > It seems that (FLOSS) audio editors (not DAWs) are all either 
> > dead/obsolate (mhwaveditor, rezound), in strange development states 
> > (Audacity, Tenacity).
> > Tenacity, the most promising (albeit with its audacity-inherited 
> > idiosyncrasies) has a really annoying bug [1] which makes it take ages 
> > to load [1] - IMHO a no go for an audio editor IMHO (plus its 
> > multi-track-ness like Audacity makes it overload for a few use cases).
> > 
> > The only more-or-less usable one at the moment is ocenaudio which is not 
> > free software (and also has some UI quirks, but that's maybe personal).
> 
> I use this now too and I like it, but I'm also not really used to the UI yet. 
> I couldn't put my finger exactly on why! I actually didn't notice it was 
> closed source until your message, that's disappointing because I was happy to 
> find a nice editor while audacity seems to be in a weird limbo -- and 
> sometimes audacity is nearly unusable for me with incredibly long startup 
> times.
> 
> > 
> > I've been a fan of mhWaveEdit for its mix of simplicity and 
> > configurability, but as an abandoned GTK2 application it shows its problems.
> 
> I will try this out, thank you! I'm not a great C programmer and my 
> availability is limited like everyone else but helping to revive a project 
> like this would be fun, I think.
> 
> > 
> > Is this kind of software not interesting any more? Are people using DAWs 
> > for everything?
> 
> I'm definitely interested! I do more audio work in scripts than DAWs but this 
> sort of lightweight editor has been a useful part of my workflow since 
> soundedit 16.
> 
> I'm curious also about what could be done, as a thought experiment, to break 
> down an editor like this further into smaller components that might be 
> possible to compose together like a unix pipeline somewhat? 

> For example I like YASS a lot because of its extreme simplicity and how it is 
> basically a tool that sits well in a jack or pipewire environment along with 
> other tools. (I do wish I could configure the number of channels on startup 
> though!) 
> 
> A time-based view of a soundfile with probably at least some affordances to 
> position a cursor and/or select a range of time would be nice (for me, 
> personally, maybe not for others!) if it had some easy to interface API to 
> pipe the selection data somewhere else. (To be a frontend for SoX maybe, or 
> an interface to a custom script.)

I've thought about this problem space, wanting a convenient
way to mark time ranges for GUI and terminal users of my
multitrack audio editor Nama.[1] Modifying MHwaveedit to
output these ranges was a possibility I considered. Adding
these features to Nama's bitrotted GUI is more within my
abilities, although most of people who want a GUI already
have many alternatives.

Due to my limited resources and the many GUI options
available, I'm focusing on implementing these capabilities
in the terminal.

Nama works in a modular way, generating the audio network
definitions that Ecasound uses to record, play and edit
sound. Not exactly a pipeline, tho.  I will note it's much
easier to interface with other software resources than
develop them from scratch :-)

> > Are people even using, or interested / committed in using Linux Audio 
> > any more?

Hell yes! I don't think LAU list traffic is an especially
good indicator. People don't post about things that work as
intended, and much Linux audio software has their own
support fora. 

Cheers to all Linux audio developers and users!!

1. https://gitlab.com/bolangi/nama/

-- 
Joel Roth
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