On Sat, Jun 18, 2005 at 07:24:26PM +0200, Tim Goetze wrote: > Dividing computed audio into a 'professional' and an 'amateur' camp > only serves to defend obsolete categories and the arbitrary borders > inbetween.
I can assure you that from a POV of a paying customer, the difference is neither obsolete nor arbitrary. It has little to do with equipment, training, skill, or competence. It's all about a different attitude taken to the work, and the consequences thereof. This means that some things that may seem 'utterly stupid' to an amateur will make perfect sense for a professional. -- FA
