this from economist magazine (august 4, 2000)

   
   IN ONE of the more chilling scenes of George Orwell's "1984", the citizens of 
Oceania
   gather in a cinema to denounce Emmanuel Goldstein, a political dissident, as "the 
Enemy of
   the People". In New York, for the past two weeks, a team of Hollywood lawyers have 
been
   doing much the same to Emmanuel Goldstein, an Internet journalist.
   
   Mr Goldstein, who was born Eric Corley, is the editor of 2600: The Hacker 
Quarterly. He
   posted on his newsletter's website a code known as DeCSS. This code undoes the 
encryption
   technologies that protect a digital video disc from being copied. The Hollywood 
studios
   are therefore accusing Mr Goldstein of helping to pirate their films, their 
copyrighted
   intellectual property. He says he is upholding freedom of expression.
   
   The DeCSS code has already had a brush with the law in Europe. Earlier this year,
   Norwegian police raided the house of one of DeCSS's creators, a 16-year-old called 
Jon
   Johansen, and confiscated his computer equipment. And Hollywood's case looks solid: 
a
   provision of American copyright law prohibits any "circumvention" of anti-copying
   encryption technology. But legal experts say there are broader issues at stake.
   
   As Jonathan Zittrain, a law professor at Harvard, points out, copyright is itself a
   restriction on free speech; most people support it only because it encourages 
publishing.
   Part of Mr Goldstein's defence is a technical one (he claims that DeCSS also has 
"fair"
   legal uses, including reformatting video discs for viewing on other sorts of 
machines).
   But his case also brings up two issues about freedom of speech in cyberspace.
   
   First, Mr Goldstein did not create the code himself; he merely put the code on his 
website
   and provided links to other websites where it could be found. That, argue his 
lawyers, is
   an act of pure reportage and is protected by the first amendment. Second, the 
source code
   that makes up DeCSS may itself be a form of speech. In April, an appeals court in 
another
   jurisdiction found in favour of Peter Junger, a law professor who had posted the 
code for
   encryption software on the Internet, in violation of American export controls. The 
court
   found Mr Junger's code "an expressive means for the exchange of information and 
ideas
   about computer programming", and so protected by the first amendment as surely as 
music,
   art or poetry would be.
   
   The Junger decision is not a binding precedent in the Goldstein case, which goes on 
next
   week. But, if Mr Goldstein loses, the law would seem to have made an odd 
distinction: code
   that encrypts, like Mr Junger's, would be freer than code that decrypts, like Mr
   Goldstein's. Truly Orwellian.


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