Anders Dahnielson wrote:
> IIRC, that's the technology Wallander Instruments WIVI [1] is built 
> upon. Giorgio Tommasini is also doing some great work with sample based 
> modeling using a different technique with harmonically aligned samples. 
> Just a little FYI...
> 
> [1] http://www.wallanderinstruments.com
> 
> -- 
> Anders Dahnielson
> <[EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]>>

Again, apologies to Anders for receiving this twice. I'm about to go 
nuts due to the default reply behavior.

I'm not sure how his instruments work, but it could be similar. My idea 
is based (nicked from?) purely upon what's in the ten-year-old CSound 
article.

The idea could do far more than simulate orchestral instruments, I 
think. I also imagine it could lend itself to an extremely effective 
Hammond organ simulation. Sample every partial individually across the 
entire keyboard range... Well, you get the idea. I'll bet some amazing 
sounds could be made from a huge variety of available single-cycle waves 
sourced from anywhere. Tube oscillators, old radios, strange acoustic 
instruments. The sky's the limit.

I was just giving an idea of a synthesis method that could be built with 
such a versatile engine as is being proposed.

-- Darren

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