(To be found, starting tomorrow, at:
http://www.oreilly.com/~andyo/personal/porgy_and_bess.html)

Have you heard about the new worldwide tour of the classic American
opera, Porgy and Bess? It's been completely updated--the plot has
changed a lot, and the words of many arias and choruses were
rewritten. Here's a summary for those familiar with the original
version.

The scene: Catfish row, a flourishing, vibrant African-American
fishing community, teaming with small traders.

At the outset, a crap game is taking place where Robbins has just won
the right to hand out concessions to traders. Reflecting on their
precarious fate, they sing "A Concession is a Sometime Thing":

        Yo' providah' is the first to name you,
        An' he'll take it all away on a whim;
        He'll dump ya from his file
        An' weasel out o' trial.
        'Cause______
        A concession is a sometime thing,
        Yes,
        A concession is a sometime thing.

Enter the hero Porgy, a poor beggar who scrapes together a bare living
by carrying messages between inhabitants of Catfish Row. Far from
worrying about concessions, he introduces his main concern in his
signature piece: traffic congestion.

        Night time, day time,
        He got to trabble
        Dat crowded road.
        Night time, day time,
        He got to trabble
        Dat crowded road.

But when Porgy hears that Robbins is raising rents on concessions and
imposing intolerable policies on vendors, he worries that they'll cut
down on using his message service. He confides his fears to Crown, a
busybody with a forceful personality who gets others to follow his
lead by blunt assertions of authority. Crown in turn openly talks of
killing Robbins and tries to gather a small gang together in Catfish
Row to carry it out. But he's surprised to find that they prefer to
accept the authority of Bess, a fickle, scatterbrained, and devious
woman.

Enter Sportin' Life, dressed in finery that he picked up in the big
city, and scattering cigar ashes liberally as he boasts:

        The law say, you can't own a word.
        The law say, you can't own a word.
        I'll spin round some dollahs
        And mystify scholahs.
        I'll turn that law somethin' absurd.

        The vendors, think they is immune.
        The vendors, think they is immune.
        We'll let no one shame us
        Since our mark is famous.
        We'll make 'em start singin' our tune.

        I'm bringin' dis action to show,
        It ain't nessa, ain't nessa,
        Ain't nessa, ain't nessa,
        Ain't necessarily so.

Sportin' Life feeds Bess happy dust and persuades her she's going to
rain in big bucks if she does everything he asks to help his
business. She becomes totally won over, despite Porgy's protests, but
then tragedy strikes. The fishers put out their boats, singing,

        It take a backhaul to get there, Huh!
        It take a backhaul to get there, Huh!
        It take a backhaul to get there, but_____
        I'll anchor in the promise' LAN.

Jake, a quiet but diligent fisherman who has sailed out of Catfish Row
all his life, drowns suddenly at sea and leaves behind a baby. Bess
declares that she will adopt the baby and make him leader of Catfish
Row when he grows up. Robbins, Crown, and Sportin' Life, realizing
that this is their chance to gain total control over their community,
shower gifts on the baby and declare themselves his benefactor. Bess
forgets the whole thing and runs off to the big city, followed by
Porgy, who vainly believes he can bring her back and re-establish
justice in Catfish Row. As Porgy departs, the whole chorus sings:

        Oh Lawd, they got their way.
        They got their way
        With a slovenly plan.
        We'll rue
        Those policies.
        They claim to solve
        What no one can!

Well, that's about all I'm allowed to print here. You see, there's a
tiny intellectual problem. Thanks partly to lobbying by the Gershwins'
estate, copyright has been extended another 20 years so that Porgy and
Bess is not yet in the public domain. But since a lot of people liked
a recent article where I treated a certain policy debate as a Marx
Brothers movie, I thought it would be interesting to go another step.

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