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On 09/03/2010 10:50 AM, Nikos Chantziaras wrote:
> I just love everything ever made by Chris Hülsbeck, so it was about time 
> I did something like this :)
> 
>    http://foss.math.aegean.gr/~realnc/files/The_Desert_Rocks.ogg
> 
> Entirely done within LMMS.  Half the synths are with Zyn, the other half 
> with the Soundfont player.
> 
> I suppose the mastering sucks a bit, since I don't know anything about 
> mastering :-/  Anyway, hope you enjoy.

The mastering is pretty good.  I think the plucked lead line (playing at
around 3:30) needs to be a bit louder, but that's just my personal preference.

In order to master a track effectively, you need to be listening to it at the
volume you want other people to listen to it and using the speakers or
headphones you intend people to use.  Or, to put it this way, listen to it the
way _you_ want to hear it.  If you're using little earbud headphones to work
on a track that you want played in a lounge, then it's going to sound
completely wrong there.

Then listen to each section critically, asking yourself whether each
instrument needs to be louder or softer.  Also ask whether there's too much or
too little going on in each section.  Sometimes you might need a different
sound, or an effect on an instrument, in order to make it sound right.  Give
yourself a break every hour or so and don't listen to anything - you get too
used to the sound after a while and make bad decisions.

One track I've done (a long time ago) which I think is reasonably well mixed is:

http://mabula.net/music/ftl/01_-_Laser_Transport.ogg

Listening to it now I'd observe that I could make the hi-hat less sharp (put
it through a low-pass filter) and there's an annoying click on the end of the
bass notes (heard around 5:45, which may come out if I re-rendered it with
LMMS 0.4 as it's an instrument artifact).  The glockenspiel (starting at 6:15)
is perhaps a bit too close in pitch to the main lead, so it gets confused -
maybe separate them out in left/right, or lower the glock down an octave.  But
the bass isn't too dominant, the instruments don't take over too much, the
drum line doesn't get lost or dominate, and the sound effects don't dominate
things and punctuate the changes nicely.

That's perhaps a biased opinion, but I hope that helps to give you an idea of
what I do when I master a track.

HTH,

Paul
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