--- Roman Turovsky <[EMAIL PROTECTED]> escribi�: 
> > --- Roman Turovsky <[EMAIL PROTECTED]>
> escribi??> >>> 16th century five-
> > and six-course instruments
> >> were
> >>>>> called "vihuelas"; four-course instruments
> were
> >>>> called
> >>>>> "guitars". During the late 1570s and early
> 1580s
> >> a
> >>>>> "new" instrument was developed: the
> five-course
> >>>>> instrument we call "baroque guitar", which was
> >>>> called
> >>>>> "guitarra espa??".
> >>>> But didn't this appellido come from outside of
> >> the
> >>>> country, while locals had
> >>>> biguela? 
> >> A proposed solution: Batov renames his instrument
> a
> >> BIGUELA rather than
> >> vihuela, so Antonio could get on with his life.
> As
> >> we say in Russian "wolves
> >> sated and sheep intact".
> >> RT
> >> ______________
> >> Roman M. Turovsky
> >> http://polyhymnion.org/swv
> > 
> > 
> > Not a bad idea altogether. Batov renames his
> > instrument a five-course viguela/vihuela/biguela
> (and
> > there are further variations on the spelling), and
> > makes it as a five course instrument and we can
> all
> > get on with our lives; Roman as well.
> Not quite. BIGUELA UNIVERSAL as opposed to
> ORDINARIA. Any number of courses
> he sees fit, as he is a practitioner rather than a
> methodologist.
> RT
> 


Go ahead, be practical and create your own categories,
as long as you don�t pretend they are based on
historical fact there is no objection.

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