"Stewart McCoy" <mailto:[EMAIL PROTECTED]> schrieb: > My other thought concerns the mode. Why should the player need to > know the mode, if all the notes are there in front of him? Is it > because there is a mood associated with each mode? Knowing the mode > would then give the player information on the mood he should try to > create - happy, sad, introspective, aggressive, etc. as modes are not keys (like sad minor or merry major) but melody patterns, I suppose, in naming the respective mode Milan enables players to tell melodic lines from each other, which would be easy in staff notation but is not in tablature. -- Best,
Mathias -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
