>>>> i repeat that recordings of the lute/guitar
>> instrument
>>>> popular in germany before the war should be
>> plentiful
>>>> and could prove useful as the playing technique
>> for
>>>> these shouldn't have differed greatly from the
>> lute
>>>> proper.
>>> 
>>> If by "lute proper" you mean "the lute as it was
>> built and played from 1500
>>> to 1800," your assumption is incorrect.  The
>> lute-like instruments popular
>>> in Germany early in the century were not built or
>> played like historical
>>> lutes.  The people building and playing them did
>> not know a fraction as much
>>> as most of us know about the historical lute, and
>> were not really concerned
>>> with recreating historical lute music.
>>> HP
>> True, notwithstanding a few examples of rather
>> historical lute manufacture
>> in the late 19th, early 20th cent.
>> RT
> 
> fab! ... 
> 
> - i thought we were talking about where people placed
> their pinkies and whether they played close to or away
> from the bridge. 
> 
> - presumably, the technique for playing medium to
> large, bowl backed, lute family instruments in a
> european context is the same for one as another.
No, it's not. Wandervogel-laute has nothing to do with lute-proper in terms
of playing. 


> this is not meant as contentious but do you think the
> people who played the lutes that we consider as
> historical knew as much about them as some of us do?
> - william
VERY, VERY few. Definitely insufficient to make a generalization.
RT



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