Dear lutenists,

I drove over to Palo Alto (after stopping by Cupertino, California, to play
duets with another renaissance lutenist today) and visited Gryphon music to
look at a baroque lute Franklin Lei reported seeing in their shop a few
weeks ago.  They are pretty rare to locate in this area these days....

You can look at the lute at
http://www.gryphonstrings.com/instpix/22683/22683.html

I waited around and finally got a chance to ask if I could look at it.  It
is in a fairly large Harptone case, and it is described as a 1990 Chris G.
Pantazelos "English Renaissance 13 Course lute."

It is fairly interesting.  Built in Boston in 1990 by a luthier previously
unknown to me, it is about 70 cm string length, fairly lightweight baroque
lute, with a bass rider, a little crudely fashioned, and a little atypical.
The bowl is alternating Maple/Cherry ribs as you see, 13 courses, but in a
configuration of 1 x 1, 2 x 12.  It has a doubled second course.  The neck
is fairly wide, I think wider than usual, but spacing at the nut and bridge
seem to be ok.  The action is very low and would need to be raised a little
to make it more playable without hitting the soundboard, it would not be too
bad, perhaps a capping strip on the bridge.  The rose is a little crude, and
the pegbox is very simple and (I would say) thin blocks of wood for the pegs
to anchor into.  The pegs are serviceable.  The frets are tied on strips of
nylon and the strings tent to buzz on the frets and between themselves...
The spacing between the octaves and fundamentals may need to be adjusted.

On the whole, not a bad lute, needs a little work I think to make it more
playable.  Tone is not too bad.  I guess you could either leave one of the
strings off on the second course and make it a baroque lute, or put it in
French Flat tuning or "viel ton" for Thomas Mace English 17th century lute
pieces.

But perhaps a bit overpriced at $1500.00.  It would need a quite a bit of
adjusting.

Mike Peterson



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