There were several printed publicatinos that called for ensembles of lutes in 
different sizes.  The ones whose front material I have had a chance to review 
generally specify an intervalic relationship rather than specific pitches.  
This 
is most easily understood when one considers the desire of the publisher to 
sell 
volumes to all who could possibly make use of them.  

The modern G-lute is a bit of a compromise, large enough to have a nice bass 
sound, broad enough in range to be a good solo instrument, useful as an 
accompanying instrument.  But, not a huge enough bass sound to work well as the 
only bass member of a consort; not as facile as a smaller lute, or an octave 
lute 
when playing 'top line'.  A mandolin-like small lute is preferable for the 
highest 
parts.



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