Arto,
Da Vinci argued that painting was superior to sculpture on the grounds 
that sculpture was messy and dirty and involved generally more muscle 
effort than painting.
I have always had a problem with the holy sanctity of human imagination 
and the composer's all-important intention - these are myths that come 
down to us from Rousseau and 19th century music publishers who could 
claim that they are selling you the "real" thing.
Lutes are little machines, technologically very advanced devices that 
involved precise scientific knowledge on the part of their makers. In a 
very real way, musicians are dependent on the current state of 
technology and their imagination can be both constrained and liberated 
by "machines".
Finally, the "receivers" of a work of art are not just judges: they are 
active participants who can profoundly alter the function and purpose of 
an object. Art is not just in the eye of the beholder, it is the eye of 
the beholder. That's why I guess Duchamp presented his public with a 
urinal: so they could transform it into art, without any intervention on 
his part.
Picasso transformed the wannabe-art of Africa into a valuable commodity 
in the West. Africans just kept on doing what they had being doing all 
along - at least for a while. Lots of people get paid a lot of money to 
let you know what you should see and think about when you see a "real" 
work of art. Some people get paid even more to let you know how much 
that is worth exactly. Obviously, it is in those people's interest to 
have you think that this had really nothing to do with the dirt, dust, 
and excremental fluids generally witnessed in the real world, or the 
laws of the market.
Yet, increasingly, art is made with machines: microphones, digital 
media, software, TV, etc. Without those machines, you would not be 
enjoying the latest Hoppy Smith, POD or Herringman CD. Granted a machine 
is only as intelligent as the person who uses it, but this is no reasopn 
to debase it like Da Vinci debasing Michelangelo's chisel. So 
wannabe-art and machines don't belong together.
Alain

Arto Wikla wrote:

>But at the end, I totally agree with James: The only importantant art is
>made by men/women! And the reciever is the judge! There just is, and has
>been, that much of "wannabe-art" that could easily been produced by 
>machines, too. The "real thing" - whatever it is or could be? - cannot 
>be achieved without human makers! 
>
>All the best
>
>Arto
>
>
>
>To get on or off this list see list information at
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>  
>


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