We have to remember that recording music using digital equipment
is not a performing art. It really is more like sculpture, painting or
writing poetry in that it can be edited at any time, unlike a performance.

Whoever pays for the recording gets to call the shots, not the
engineer unless everyone else is so inexperienced that they don't
know what to do. My philosophy about recording in particular and
music in general is that the music should sound good to the listener of
today. If you can find a way to play or sing it now that sounds better
than the way in which it was performed earlier, by all means, go for it.

If a particular instrument is inadible, it might as well not even be there,
in which case you have wasted your money on recording the track.
It is not only about player's egos, it's about getting a good sound from
the mix. When I record, usually no other musician records with me.
I record several tracks and the engineer mixes them according to 
my very detailed instructions. I will not hesitate to eliminate a track if
it makes the mix sound bad.

I believe that the best results in recordings are achieved by a good
mix - some instruments or voices louder than others but all should
be audible.

Best,
Marion

-----Original Message-----
From: Martyn Hodgson <[EMAIL PROTECTED]>
Sent: Mar 3, 2005 1:06 AM
To: [EMAIL PROTECTED]
Cc: Vihuela Net <[email protected]>
Subject: Re: Ensemble music with Vihuela

 
But as Roman has already pointed out, a recording tells us very little.  Much 
depends on the whims of recording engineers, who like to have all instruments 
audible even where not true to life, and the understandable egos of players, 
who also like to have their efforts heard; again even when this is implausible.

[EMAIL PROTECTED] wrote:
Thomas:

If you can find the recording "O Dolce Vita" of Tragicomedia with the King's 
Singers you can hear the vihuela used very effectively and audibly in the 
ensemble setting in the hands of Stephen Stubbs.

Kenneth

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