Moose leather pants were a part of cavalry uniform until the Crimean war.
No lutenistic use, I suspect.
RT
______________
Roman M. Turovsky
http://polyhymnion.org/swv

> I wonder about the materials used in 16-18th cent. clothing, especially pants
> and shirts. I know that wearing leather pants would make holding the lute much
> easier while sitting. It would be stylish at a minimum.
> 
> --- Martyn Hodgson <[EMAIL PROTECTED]> wrote:
>> 
>> Before inventing new ways of holding an instrument, it's useful to look at
>> what early players actually did.
>> 
>> For the lute the following come to mind:
>> 
>> - Iconography depicting extended peghead lutes (ie theorboes, archlutes, late
>> german baroque lutes) frequently shows the use of a ribbon/strap running from
>> the base to an attachment point on the rear of the peghead eg from Castaldi
>> (1622) right up to Scheidler(c1800). Most extant early instruments of this
>> type also have attachment points (buttons/slotted fittings).
>> 
>> - Many later baroque lutes have two buttons: one at the base and one on the
>> back close to the neck. It has been suggested (Spence) that a chord was
>> passed between the two and looped around a coat button (early coats were much
>> heavier/stiffer than modern). I seen gut strings fastened on a few 18thC
>> lutes but, of course, these cld be later additions. To be frank, I've tried
>> this method and have not been happy with the results - has anybosy else?
>> 
>> - rest the lute against a table ( early sources and some iconography) - this
>> also assists the resonance of the instrument (rather like Aguado's
>> 'tripodion').
>> 
>> Finally, it seems to me that most (not all)  depictions of lute players show
>> the instrument being held fairly high ie against the lower chest rather than
>> the stomach (rather akin to the flamenco guitarist position compared to that
>> of a modern 'classical' guitarist) with the body resting on the left thigh
>> rather than in the lap.  A holding arrangement should allow for this position
>> and posture.
>> 
>> 
>> 
>> 
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>> --
>> 
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>> 
> 
> 


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