Yes Elliott,

It certainly does state the theme again in the bridge. Trust you to 
find it, even though it leaps octaves.

Miles

On Tuesday, April 26, 2005, at 10:20  PM, Elliott Chapin wrote:

> Some time ago I voiced to Miles Dempster, and later to Paul O'Dette, a
> thought about this piece: A seemingly meandering bridge actually 
> contains
> the main theme. This idea was apparently new at the time. More I can't 
> tell
> at the moment because my copy went with one of the Michael Schreiner 
> lutes
> that I no longer own. I still have the first Schreiner theorbo - 
> waiting
> for me to get back to writing transcriptions.
>
> At 09:18 PM 4/26/05, Bruno Correia wrote:
>> Dear all,
>>
>> Recently I have been working on the Huwett fantasia by Robert 
>> Dowland's
>> "A varietie of lute lessons". I'm trying to find recordings of this
>> piece but unfortunately I just found two, one from Lutz Kirchof and
>> another by Nigel North. In both recordings the piece is played as if 
>> the
>> lute was tuned in e. Why is that? Why they didn't play it on a lute in
>> g? Was the piece conceived for such a tuning?
>>
>>
>>
>>
>>
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>>
>>
>>
>>
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>
>
> www3.sympatico.ca/echapin
>
>
>


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